
Katie Kresser
Articles
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Jan 13, 2025 |
christianscholars.com | Katie Kresser
I have a complicated relationship with seasonal Christmas shops. I’ll bet a lot of us do. It began in the 1990s. Like most adolescents, I developed a contrarian streak when it came to the elders’ sacred cows. December rituals around Christmas Tree Shops (or their copycats) were no exception. I had a lot of reasons for disdaining these temples of holiday glitz.
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Dec 17, 2024 |
christianscholars.com | Katie Kresser
Starting around the year 1400, a new kind of Nativity Scene began to grace European art – and Italian Renaissance art, particularly. Before, Nativity scenes often featured Mary holding a swaddled baby Jesus and surrounded by animals and worshippers in a stable. The new formula, however, showed the baby Jesus lying naked on the ground, his mother and father at a distance. Sometimes, the customary animals and shepherds were not present at all.
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Nov 14, 2024 |
christianscholars.com | Katie Kresser |Roger Henderson |IVP Academic
The Artistic Sphere: The Arts in Neo-Calvinist Perspective Published by IVP Academic in 432pp / $45.00 / 978-1514007976 The words of Calvinists like Kuyper on the one hand, and secular “formalists” like Greenberg on the other, can sometimes seem interchangeable.
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Nov 13, 2024 |
christianscholars.com | Katie Kresser |Roger Henderson |IVP Academic
The Artistic Sphere: The Arts in Neo-Calvinist Perspective Published by IVP Academic in 432pp / $45.00 / 978-1514007976 I was a senior in college when I first encountered Modern Art and the Death of a Culture by the Calvinist scholar Hans Rookmaaker. I was studying art history at the Courtauld Institute in London; the book was lent to me by a local youth minister.
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Nov 5, 2024 |
christianscholars.com | Katie Kresser |Roger Henderson |IVP Academic
The Artistic Sphere: The Arts in Neo-Calvinist Perspective Published by IVP Academic in 432pp / $45.00 / 978-1514007976 I was a senior in college when I first encountered Modern Art and the Death of a Culture by the Calvinist scholar Hans Rookmaaker. I was studying art history at the Courtauld Institute in London; the book was lent to me by a local youth minister.
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