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‘Are We Good?’ Review: An Intimate Peek Into the Life of Marc Maron Fails to Fully Crack Its Subject
1 month ago |
indiewire.com | Katie RifePlus icon |Katie Rife
Being a curmudgeon is part of his persona, but it’s not that difficult to find evidence of Marc Maron being vulnerable. Just listen to the introductions on his “WTF” podcast, in which the standup veteran monologues about whatever’s on his mind that day. And sure, some listeners fast-forward through these parts to get to the interview. But if you want to get to know the “real Marc Maron,” he is willing to bare his soul — it just has to be on his own terms.
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1 month ago |
indiewire.com | Katie RifePlus icon |Katie Rife
With founders Justin Benson and Aaron Moorhead, masterminds of such low-budget horror as “Resolution,” “Spring,” and “The Endless,” now entrenched in the Marvel machine, their Rustic Films is calling in the reserves. “Descendent” writer-director Peter Cilella has been involved with multiple Rustic productions as an actor, going all the way back to “Resolution” in 2012.
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1 month ago |
indiewire.com | Katie RifePlus icon |Katie Rife
Usually, when someone says a movie is “all vibes,” they mean it as an insult. But vibes can accomplish some wonderful things: Just ask Alejandro Jodorowsky, Dario Argento, Amy Seimetz, Panos Cosmatos, and now Flying Lotus. Born Steven D. Bingley-Ellison, the musician and record producer claims his place in the pantheon of vibes-based filmmakers with “Ash,” a pummeling psychedelic sci-fi freakout that one doesn’t watch so much as experience.
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1 month ago |
indiewire.com | Katie RifePlus icon |Katie Rife
The last time zombies dominated the horror genre, George W. Bush was in the White House. Since then, the braindead hordes have retreated — never disappearing completely, of course, but showing up in reduced numbers compared to their heyday of “Shaun of the Dead” and the “28 Days Later” series. Now, with climate change accelerating and fascism on the rise, the mood has turned post-apocalyptic once again.
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1 month ago |
indiewire.com | Katie RifePlus icon |Katie Rife
Even in the relatively regulated world of the contemporary internet, you never know what the person next to you is looking at on their phone: Fascist propaganda? Hardcore pornography? Photos from a church picnic? So it goes that the gray, featureless office building that gives “American Sweatshop” its title looks like it could be anything. The only sign that something is off here is the on-site counselor — and the employees vomiting and crying and having rage-filled tantrums at their desks.
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