Katie Walsh's profile photo

Katie Walsh

Los Angeles

Film Critic at Los Angeles Times

Freelance Writer at Freelance

Film Critic for @TribuneAgency @LATimesEnt ∙ #MiamiNice on @OHMPods ∙Veep @LAFilmCritics ∙ @wesleyan_u + @USCCinema ∙ she/her

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Articles

  • 6 days ago | thedailynewsonline.com | Katie Walsh

    In “Sinners,” his bloody new historical blockbuster, writer/director Ryan Coogler feels unleashed in a way he hasn’t been before — and that’s a good thing. Free from the shackles of proving himself, respectability politics and four-quadrant appeal, the “Black Panther,” “Creed” and “Fruitvale Station” filmmaker delightedly revels in what he’s allowed to do within this hyper-sexy, hyper-violent, R-rated vampire movie.

  • 1 week ago | courant.com | Katie Walsh

    By Katie Walsh, Tribune News Service‘SINNERS’Rated R for strong bloody violence, sexual content and language. What it’s about: A historical horror movie about twin brothers returning to their hometown in Mississippi in 1932 and encountering otherworldly danger. The kid attractor factor: Teens will be drawn to this big horror blockbuster film for the big screen genre thrills. Good lessons/bad lessons: Beware those that would seek to infiltrate and exploit your community.

  • 1 week ago | bostonherald.com | Katie Walsh

    In “Sinners,” his bloody new historical blockbuster, writer/director Ryan Coogler feels unleashed in a way he hasn’t been before — and that’s a good thing. Free from the shackles of proving himself and respectability politics, the “Black Panther,” “Creed” and “Fruitvale Station” filmmaker delightedly revels in what he’s allowed to do within this hyper-sexy, hyper-violent, R-rated vampire movie. The characters in “Sinners” are as advertised: flawed in a deeply human kind of way.

  • 1 week ago | azdailysun.com | Katie Walsh

    There’s an easy intimacy and warmth that immediately emanates from Andrew Ahn’s “The Wedding Banquet,” an affable remake of the 1993 Ang Lee film. He crafts a cinematic world that you want to slip into and spend some time; tactile, cozy, populated with witty, real characters, much like his films “Driveways” (2020) and “Fire Island” (2022). That’s what makes “The Wedding Banquet” a distinctly Andrew Ahn film, despite working with a 30-year-old text that has already been embraced and celebrated.

  • 1 week ago | hastingstribune.com | Katie Walsh

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