Articles

  • 2 months ago | timeout.com | David Fear |Keith Uhlich |Andy Kryza |Joshua Rothkopf

    Photo: Courtesy of Janus Films | "La Jetée"Photo: Courtesy of Janus FilmsLooking to take a trip abroad from the comfort of your couch? The best foreign films of all time are your passport. Tuesday 25 February 2025FacebookTwitterPinterestEmailWhatsAppContributors: Joshua Rothkopf & David FearAdvertisingWhen South Korean director Bong Joon Ho collected his Golden Globe for Best Foreign Language Film for Parasite, in 2019, he teased the audience for its hesitancy to embrace international filmmaking.

  • Oct 7, 2024 | slantmagazine.com | Keith Uhlich

    History unfolds with on-the-ground immediacy in director Julia Loktev’s first feature since 2011’s The Loneliest Planet, as well as her second nonfiction work after 1998’s Moment of Impact. Running five-and-a-half hours and split into five chapters, My Undesirable Friends: Part I—Last Air in Moscow chronicles the hardscrabble efforts and eventual exile of a group of young Russian journalists who work for the independent news channel TV Rain.

  • Oct 7, 2024 | slantmagazine.com | Keith Uhlich

    Luca Guadagnino’s adaptation of William S. Burrough’s second novel, Queer, begins, shall we say, peculiarly. Sinéad O’Connor’s haunting cover of Nirvana’s “All Apologies” scores overhead shots of what we soon realize is Burroughs’s own writing space, every object (a typewriter, drug paraphernalia, hastily scattered pages, an abundance of handguns) alluding with cringey literalness to the Beat Generation author’s thorny mythos.

  • Sep 23, 2024 | slantmagazine.com | Keith Uhlich

    An eventful week in the waning days of a medieval English village provides the narrative backbone for Harvest, Athina Rachel Tsangari’s moody-verging-on-mopish adaptation of Jim Crace’s novel of the same name. The book is written in a bewitching prose style somewhere between a monologue and a first-person essay.

  • Aug 11, 2024 | slantmagazine.com | Keith Uhlich |Jake Cole

    George Miller gets biblical in the opening of Furiosa: A Mad Max Saga, the fifth installment in his postapocalyptic action franchise. The young Furiosa (Alyla Browne) picks a ripe piece of fruit from a tree growing at the edge of a verdant forest. “We’ve come too far,” says her companion, emphasizing the forbidden nature of the act with the perfect amount of allegorical on-the-noseness.

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