
Keith Windschuttle
Articles
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1 week ago |
newcriterion.com | Roger Kimball |Gary Saul Morson |Renee Winegarten |Keith Windschuttle
Recent stories of note:“A Novelist Draws”Rupert Christiansen, Literary ReviewOn the island of Guernsey is a home whose owner, it is evident, was fond of excess and whimsy: walls adorned floor to ceiling with china, ceilings fitted with tapestries, ornament and pattern everywhere possible. This is the Hauteville House, the home of Victor Hugo during his exile on the Channel Islands, which is open to the public, as is the author’s equally eccentric home in Paris.
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1 week ago |
newcriterion.com | Roger Kimball |Gary Saul Morson |Renee Winegarten |Keith Windschuttle
Jean-Antoine Watteau (1684–1721) was the most exquisite of Old Masters: he portrayed the melancholy sense that elegant pleasures are fleeting and condemned to fade. No wonder that covers of Mozart albums have been decorated with Watteau’s pictures. The Château de Chantilly’s Musée Condé holds ten Watteaus, France’s largest collection of the artist’s work outside of the Louvre.
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2 weeks ago |
newcriterion.com | Keith Windschuttle |Roger Kimball |Renee Winegarten |Brenda Wineapple
Poetry: Daniel Mendelsohn in conversation with Ayad Akhtar: Homer’s The Odyssey, at the 92nd Street Y (April 10): Threads from Homer’s Odyssey are “so tightly woven into the fabric of our literature and art, music and drama,” notes the classicist Daniel Mendelsohn, that “it’s with a start that we recall someone had to invent them.” It’s easy to forget that each generation has to retranslate the poem, too, if those threads are to be discerned (at least until Ancient Greek makes its way into...
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2 weeks ago |
newcriterion.com | Keith Windschuttle |Harry Cluff |Roger Kimball |Renee Winegarten |Brenda Wineapple
When he was asked how Paul Cézanne influenced his work, Picasso declared: “He is the father of us all, a sort of God of painting.” This admiration was shared by Picasso’s coeval Cubist-in-arms, Georges Braque, and by the founding father of Fauvism, Henri Matisse, as well as by many other artists who came to prominence after Cézanne’s death in 1906. Cézanne’s contemporaries likewise appreciated his massive talent.
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2 months ago |
quadrant.org.au | Roger Franklin |Keith Windschuttle |Timothy Cootes |Robert Murray
Who doubts reactionary forces are forever scheming to rob the public of rights, dignity and nice weather? Certainly not Age readersFeb 05 20255 minsAs a bureaucratic operator and faculty lounge warrior, the Marxist professor's talents were impressive.
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