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Ken Walton

Music Critic at The Scotsman

Classical Music Critic of The Scotsman. Co-founder of Classical music website https://t.co/p8gRwsHc9T (@VoxCarnyx)

Articles

  • 1 week ago | scotsman.com | Ken Walton

    Tectonics: BBC SSO, City Halls, Glasgow ★★★★This year’s Tectonics Festival, running over Saturday and Sunday, took as its key theme “the profound act of listening”. You could argue that goes without saying for any music festival, but when it comes to Tectonics, and the explorative cutting-edge repertoire favoured by curator Ilan Volkov, the challenge can be as provocative as it is revealing.

  • 1 week ago | scotsman.com | Ken Walton

    The headline news for Scottish Opera earlier this month, while revealing its upcoming 2025-26 programme, is that the new season also marks music director Stuart Stratford’s tenth year in the company’s artistic hot seat. Given how critical the past decade has been for Scottish Opera - marking its reinvention following a funding crisis that seriously threatened its credibility and very existence - Stratford’s success in the role is equally a measure of that comeback.

  • 1 week ago | scotsman.com | Ken Walton

    Scottish Opera: The Merry Widow, Theatre Royal, Glasgow ★★★★To appreciate this brazen new Scottish Opera production, nay re-envisioning, of Franz Lehár’s 1905 operetta The Merry Widow, there’s absolutely no place for preconceptions.

  • 3 weeks ago | msn.com | Ken Walton

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

  • 3 weeks ago | scotsman.com | Ken Walton

    Scottish Opera’s new co-production of The Merry Widow is set in a New York Mafia family, but all the core elements remain, director John Savournin tells Ken Walton There are certain operas you mess with at your peril. They tend to be the untouchable old favourites, and few come more sacred than those breezy 19th/early 20th century operettas adored for their fun, frivolity, flouncy ballroom dresses and fetching ditties.

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Ken Walton
Ken Walton @KenWalton4
5 May 25

RT @scotsman_arts: The Great Wave: Scottish Opera's Hokusai-inspired production to 'straddle fact and fantasy' As @ScottishOpera launches…

Ken Walton
Ken Walton @KenWalton4
5 May 25

RT @scotsman_arts: Tectonics: BBC SSO 1, Glasgow review: 'food for thought' https://t.co/86NOxBzjpy @BBCSSO @KenWalton4

Ken Walton
Ken Walton @KenWalton4
2 May 25

RT @scotsman_arts: Scottish Opera: The Merry Widow, Glasgow review: 'a dizzying theatrical tsunami' https://t.co/kqlzo12mEB