Kevin Abosch

Self-Portrait (2025) #ai https://t.co/mKCpqyWta9

Opening Night Anxiety and the Kids Who Swallow Compute Before Incremental Doxxing (2025) #AI https://t.co/uejgoSyaN9

AI doesn’t dream like we do. It just lets us dress the unfamiliar in our own patterns until it feels like home. https://t.co/HmCbIvcCbM

Artists today work with the same technologies that corporations use to extract value from us — the same architectures political movements and their leaders use to manipulate populations. But we repurpose them: to make meaning, to ask questions, to reclaim agency. #ai https://t.co/IwEzSoDavk

Export Grade (2025) https://t.co/BXAGmW76ni

Future Retrofit https://t.co/XCAF7sTIh8

Huge 2023 show of CIVICS at the @NGVMelbourne triennial was a remarkable moment for institutional acceptance of synthetic photography. I'd be remiss if I didn't thank @seth & @brtmoments for encouraging me to finish the project🙌. . https://t.co/lKMpvWComr

Hand Signals 02 (2016) GAN https://t.co/hqHdLdnZ2a

My process..? "Structured probability and emergent creativity, wrangled by human intent." https://t.co/hGGAFlMoBd

The Ontology of the Synthetic Photograph: GANs and the Metaphysics of Vision by Kevin Abosch Read here: https://t.co/JIoIuaB1PO https://t.co/aeryPRWd3J

Ethical Architecture (2025) https://t.co/VBlQsNcGWC

Ethical Composition (2025) https://t.co/igxASpmYr0