Articles

  • Nov 26, 2024 | trackingangle.com | Kevin Gray |Michael Fremer |Paul Tavenner

    some of us buy the records, Jacob made one!You needn't read the liner notes to feel from where drummer/composer Jacob Wendt draws his inspiration. The front cover photo and art direction offer a hint. The back cover does not, but drop the stylus on the title track opener and you'll hear Rudy's classic Blue Note stereo spread and feel Horace Silverness of it.

  • Sep 23, 2024 | trackingangle.com | Hugh Davies |Kevin Gray |Michael Fremer

    fortunately the sound is superior to the jacket art reproductionGram Parsons overdosed in the desert shortly after recording these tracks at Wally Heider's Hollywood Studios. A damn shame and a waste of a troubled life. His greatness is more appreciated now than when he lived.

  • Sep 5, 2024 | trackingangle.com | Rudy Van Gelder |Kevin Gray |Michael Fremer

    And a new "Blue Note"-y cover While this is admittedly a simplification, Tone Poet Blue Note releases come in a few basic musical flavors: the "must have" ones that even non-jazz fans know by name, the great ones that when originally released couldn't find an audience but now are more popular and well-appreciated than ever, the head scratcher delayed release ones that have fans wondering how and why the label didn't issue them when originally recorded, and finally the delayed release ones...

  • Aug 1, 2024 | trackingangle.com | Ron Nevison |Kevin Gray |Michael Fremer

    but Free fans had mixed feelingsFree was one of the great unappreciated late '60's era rock bands. Sure, they had a hit with "All Right Now", but like Stealers Wheel with "Stuck in the Middle", that song is catchy with a barbed hook, but that's about all. Free was a band that simmered: dark, brooding, deep and thoughtful. The albums leading up to Fire and Water didn't sell, and Highway, the one following the big seller, flopped too.

  • Jul 19, 2024 | trackingangle.com | David Jones |Kevin Gray |Michael Fremer

    "one large ear, equipped only with a psyche"Based on some of the comments on this site under the original announcement of these UHQR Bill Evans releases you might think the subtitle quote was someone's reference to Analogue Productions Chad Kassem, but it's actually from annotator Ira Gitler's original liner notes for Sunday at the Village Vanguard. His point was that being a jazz critic doesn't mean he can't melt into the music and drop the analytical side of his reviewer brain.

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