
Articles
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Nov 19, 2024 |
post-trash.com | Kris Handel
by Kris HandelA Healthy Future on Earth is the sophomore full length from Australian post-punk/shoegaze trio Miners, fronted by Blake Clee and featuring friends Nick Johnson (Mope City, Shrapnel) and Wilson Harris. This record is full of sharp guitar hooks and a trembly sense of nervousness for the outer world that is in constant flux around them.
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Nov 17, 2024 |
post-trash.com | Kris Handel
by Kris HandelMorpho is the project of Chicago transplant Kristyn Chapman, who is also an artist/photographer, and her passions truly inform each other in numerous ways. On her debut, Morpho Season, she takes the approach of an observer in regards to subjects like memory, lost relations, nature, and outside environments with a tactile approach full of compassion and strength.
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Nov 12, 2024 |
post-trash.com | Kris Handel
by Kris HandelPass the Loofah is the sophomore album from beat oriented Oakland post-punk band Naked Roommate, delivering on detached creations and playfully poking at life’s absurd moments in a way that’s very easy to love. Amber Sermeno's vocals are cool and mostly dry as she blankly intones put downs and witty wordplay over funky bass lines to get you moving and an amalgam of new wave blurts and squeals.
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Nov 4, 2024 |
post-trash.com | Kris Handel
by Kris HandelEELSis the second album from Being Dead, introducing the Austin, TX trio to a wider audience while still delivering garage oddities and glorious girl-group tinged harmonies. Falcon Bitch and Shmoofy continue to expound upon their imaginative songwriting while also touching on subjects of bodily discomfort/dissociation, belonging, and balancing creative endeavors with the pressure of the grinding work-a-day cultural environment.
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Oct 24, 2024 |
post-trash.com | Kris Handel
by Kris HandelJamison Field Murphy has been plying his trade in the past few years as guitarist/singer in Maryland trio Tomato Flower, adding immense texture and color to that band's twisting prog inflected art-pop. His solo debut, It Has to End, finds Murphy continuing to lay down intricate and complex guitar figures but this time indebted to psych-tinged pop, full of reflection as well as a hauntingly strange tension.
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