Articles

  • 2 months ago | washingtonpost.com | Kristen Young

    Most people, when they fall in love with someone who does not reciprocate their affection, hide their distress, if they can, to save face. Not Tree Abraham. In her memoir, “Elseship: An Unrequited Affair,” she conducts a forensic investigation of her futile romantic obsession with a former housemate. “Elseship” begins where most love stories end.

  • Jan 13, 2025 | therumpus.net | Kristen Young

    Under the hard rain of the Pacific Northwest winter of 1951, two prison guards discover a growling, wild-eyed girl surviving alone in the cold woods beyond the penitentiary walls. The girl came out of nowhere, they say. Who is she? Has she run away or been left to fate? Whom does the girl’s silence protect? This is how award-winning lyric short story writer Kirsten Sundberg Lunstrum starts her novel, Elita (TriQuarterly Books, 2025).

  • Sep 7, 2024 | texarkanagazette.com | Chelsea Bieker |Kristen Young

    "The world is not made for mothers. Yet mothers made the world," writes Chelsea Bieker in her second novel, "Madwoman." In her dedication for the book, Bieker includes a photo of her own mother, "who lives in every line." That image will live in the reader's imagination with each fictional reference to the mother of her protagonist and narrator, Clove.

  • Sep 4, 2024 | therumpus.net | Kristen Young

    Sofia Samatar found a way to get free. While reading Samatar’s Opacities: On Writing and the Writing Life (Soft Skull Press, 2024), I experienced a profound sense of recognition. Many of us who wish to exist in the world as writers feel coerced into the kind of visibility that threatens to make us illegible as thinkers and makers.

  • Sep 3, 2024 | washingtonpost.com | Kristen Young

    Review by Kristen Millares YoungSeptember 3, 2024 at 7:00 a.m. EDT“The world is not made for mothers. Yet mothers made the world,” writes Chelsea Bieker in her second novel, “Madwoman.” In her dedication for the book, Bieker includes a photo of her own mother, “who lives in every line.” That image will live in the reader’s imagination with each fictional reference to the mother of her protagonist and narrator, Clove.

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