Lakshmi Rivera Amin

New York

Editorial Coordinator at Hyperallergic

🌻 she/her, nutella’s better than peanut butter sorry not sorry ✨

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Articles

A View From the Easel

6 days ago | hyperallergic.com | Lakshmi Rivera Amin

Welcome to the 284th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists relish the luxury of walls and run a minimal-waste studio. Want to take part? Check out our submission guidelines and share a bit about your studio with us through this form! All mediums and workspaces are welcome, including your home studio. How long have you been working in this space? Sixty years.
Required Reading

1 week ago | hyperallergic.com | Lakshmi Rivera Amin

‣ Last week, Hyperallergic Editor-in-Chief Hrag Vartanian and Publisher Veken Gueyikian gathered a group at the Armenian Grove Plaque in Union Square to commemorate Armenian Genocide Remembrance Day.
A View From the Easel

1 week ago | hyperallergic.com | Lakshmi Rivera Amin

Welcome to the 283rd installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists relish the limitations of their studios and find clarity in sunlight coming through the window. Want to take part? Check out our submission guidelines and share a bit about your studio with us through this form! All mediums and workspaces are welcome, including your home studio. How long have you been working in this space? Three months.
Required Reading

2 weeks ago | hyperallergic.com | Lakshmi Rivera Amin

‣ One museum in New Mexico is grappling with historical photos of the Navajo Nation, reframing them in the context of colonial photography and bringing in the voices of Diné people. Jordan Eddy writes about the museum’s new show for Southwest Contemporary:Milton Snow was a non-Native photographer hired by the federal Navajo Service in 1937. Snow had a background in museum work, having photographed for the Los Angeles Museum and Museum of Northern Arizona.
A View From the Easel

2 weeks ago | hyperallergic.com | Lakshmi Rivera Amin

Welcome to the 282nd installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists ward off loneliness with music and visit with wildlife throughout the day. Want to take part? Check out our submission guidelines and share a bit about your studio with us through this form! All mediums and workspaces are welcome, including your home studio. How long have you been working in this space? Six years.
Required Reading

3 weeks ago | hyperallergic.com | Lakshmi Rivera Amin

‣ For Studio International, writer and curator Yasmeen Siddiqui excavates the layered political dimensions of the work of artist Lee Bul, whose headless sculptures are currently standing sentinel outside The Met:In the 1990s, Lee began a body of work, a counterpoint to the soft, fabric sculptures that speak of internal bodiliness. Her Cyborg and Anagram series have been described as doppelgangers, but I prefer to understand them as counterpoints within a whole, as opposed to a mirroring or twin.
A View From the Easel

3 weeks ago | hyperallergic.com | Lakshmi Rivera Amin

Welcome to the 281st installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists embed the forest in their prints and find comfort in the imperfections of hand-dyed wool. Want to take part? Check out our submission guidelines and share a bit about your studio with us through this form! All mediums and workspaces are welcome, including your home studio. How long have you been working in this space?
Required Reading

1 month ago | hyperallergic.com | Lakshmi Rivera Amin

We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. ‣ Identifying the color of your aura is trending, thanks to an ill-conceived TikTok filter.
A View From the Easel

1 month ago | hyperallergic.com | Lakshmi Rivera Amin

We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. Welcome to the 280th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists in New York City capture light streaming through their windows and piece together the history of a family brownstone. Want to take part?
A View From the Easel

1 month ago | hyperallergic.com | Lakshmi Rivera Amin

We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, please join us as a member. Welcome to the 279th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists find creative kinship online and breathe in the sea air from an open window. Want to take part?