Articles
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6 days ago |
nybooks.com | Lauren Kane |Daniel Mendelsohn
New translations of Homer are bound to revive millennia-old questions of authorship and ancient diction. As Daniel Mendelsohn writes in the introduction to his rendition of the Odyssey, published this April by the University of Chicago Press, the alluring paradox of the epic is that contemporary readers can come to it “with a bracing sense of déjà vu: we feel we know these narratives, we have met these characters, we recognize these themes.
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6 days ago |
flipboard.com | Daniel Mendelsohn |Lauren Kane
The Pope Leo XIV Guide to Chicago (Including His Favorite Pizza Joint)The new pope grew up on the Southside. And he has a favorite pizza place. Overnight, Chicago was thrust into the spotlight when one of its own was …
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1 month ago |
apollo-magazine.com | Lauren Kane
Although Caspar David Friedrich is today thought of as a painter of oil on canvas, he returned continually throughout his life to paper and ink, making sepia-toned works of precise penwork that treat delicately his great subject, the natural landscape of his native Germany. The exhibition ‘Caspar David Friedrich: Soul of Nature’ at the Metropolitan Museum of Art in New York, is bookended by these works on paper as part of a comprehensive survey of his career.
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2 months ago |
nybooks.com | Lauren Kane
Jackson Howard, a senior editor at Farrar, Straus and Giroux, is known for his vanguard taste in both fiction and nonfiction, a taste that has brought an array of new styles and voices to the forefront of the publishing industry. At FSG, editors are hired not just for their experience but for their distinct sensibilities, and a “Jackson book” can be recognized by its blend of playfulness and depth.
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Jan 11, 2025 |
nybooks.com | Dahlia Krutkovich |Lauren Kane |Magda Teter
In our December 5 issue, Magda Teter reviews a new book ostensibly about the last decades of the Regency of Algiers and “the ties between the land and the sea and between the sea and the history of events, money, and power.” But behind that history, Teter writes, is “a story of the perception of Mediterranean Jewish traders by European and American actors, who projected their sense of superiority over and disdain for both Jews and Muslims.” Teter scrutinizes what more conventional histories...
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