Leah Chernikoff

2 weeks ago | harpersbazaar.com | Leah Chernikoff

I’m not a skirt person. Skirts always feel fussy to me. I’m always worried they will ride up at the wrong moment, and I never feel at ease. I wear jeans or trousers most days. Our fashion news director, Brooke Bobb, another avowed pants person, wrote about trying to become a skirt person, given that they have dominated the runways lately. Still, I didn’t think I could embrace the skirt life. And then I decided to try out a grey column skirt from Aritzia.

2 weeks ago | yahoo.com | Leah Chernikoff

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links."I’m not a skirt person. Skirts always feel fussy to me. I’m always worried they will ride up at the wrong moment, and I never feel at ease. I wear jeans or trousers most days. Our fashion news director, Brooke Bobb, another avowed pants person, wrote about trying to become a skirt person, given that they have dominated the runways lately. Still, I didn’t think I could embrace the skirt life.

1 month ago | harpersbazaar.com | Leah Chernikoff

The fine jewelry brand Foundrae has been around for ten years, but it’s only now that founder Beth Hutchens has decided to venture into one of jewelry’s most traditional spaces: bridal. Only, Hutchens would never call it that. Her new collection, titled United in Love, launched this week.

2 months ago | harpersbazaar.com | Leah Chernikoff

Cobey ArnerIn April 1965, Harper’s Bazaar unveiled an edition of the magazine guest-edited by photographer Richard Avedon and dedicated to “the off-beat side of Now.” Borne of a moment of upheaval not unlike the one we’re currently living in, the issue explored the people and ideas that were shaping the era. Sixty years later, we’re marking its anniversary by talking to some of our own era’s most influential figures and faces about the idea of the Now.

2 months ago | harpersbazaar.com | Leah Chernikoff

When Richard Avedon guest-edited the April 1965 edition of Harper’s Bazaar, the issue was billed as “a partial passport to the offbeat side of Now.” For the cover, he snapped the model of the moment, Jean “the Shrimp” Shrimpton, her face framed by a Day-Glo fuchsia cutout that evoked an astronaut’s helmet.