
Leigh Singer
Articles
-
1 month ago |
bfi.org.uk | Annabel Jackson |Anton Bitel |Rachel Pronger |Leigh Singer
The South African photographer Ernest Cole documented apartheid with a radical directness; but in even the most candid pictures of the photographer himself there is a feeling of reserve – of some critical fact being withheld. Furtive and austere, or half obscured by the subjects he hoped to catch, such photos of Cole register his tactful mode of observation, and finally the toll of a life spent laying bare political ills.
-
1 month ago |
bfi.org.uk | Anton Bitel Festivals |Anton Bitel |Rachel Pronger |Leigh Singer
Reviewed from the 2025 Glasgow Film FestivalA middle-aged woman, visibly upset, gets into her car at night, turns on some classical music, drives into secluded woodland, and grabs a shovel to dig a grave. The opening sequence of Jed Hart’s Restless in fact comes near the film’s chronological end, announcing to viewers from the outset that what might otherwise seem a British kitchen-sink drama is headed somewhere darkly different.
-
1 month ago |
bfi.org.uk | Rachel Pronger |Leigh Singer |Nicolas Rapold |David Katz
I first watched On Falling, Laura Carreira’s quietly devastating study of late-stage capitalism in action, on Black Friday. That serendipitous timing is the kind of poetic flourish this careful filmmaker would never go for; but to encounter the film for the first time surrounded by algorithmically targeted banner ads and flickering digital billboards provided a sobering counterpoint.
-
2 months ago |
bfi.org.uk | Ren Scateni |Nicolas Rapold |Jason Anderson |Leigh Singer
Yamada Naoko has always been fascinated by music, and since the K-On! franchise – an anime series (2009-10) and film (2011) following the lives of four members of a high school’s light music club – it has remained central to her storytelling.
-
2 months ago |
bfi.org.uk | Nicolas Rapold Festivals |Nicolas Rapold |Jason Anderson |Leigh Singer
Reviewed from the 2025 Sundance Film FestivalIt’s been a full 17 years since Mary Bronstein’s crackling debut feature, and the long wait has filtered into the simmering anxieties and ambient aggression of her full-on follow-up. Piercingly funny and far from ingratiating, If I Had Legs, I’d Kick You enters the subjective orbit of a Montauk therapist, Linda (Rose Byrne), as she takes care of her sick daughter in a woeful motel while her boat-captain husband is away.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →