
Liam Gaughan
Entertainment Writer and Critic at Freelance
Collider, MovieWeb, DallasMorningNews, Taste of Cinema, DallasObserver, Central Track, RebelScum, Slashfilm, HighonFilms, Splice Today, Polygon, Paste, Inverse
Articles
-
3 days ago |
collider.com | Liam Gaughan
Editor's Note: The following contains spoilers for 28 Years Later.28 Years Laterisn’t just a brilliant legacy sequel to one of the most influential horror classics of the 21st century; it's also one of the year’s best films. While franchises are often brought back from the dead purely for the sake of nostalgia, Danny Boylemade ambitious choices by using 28 Years Later to continue the timeline of 28 Days Later, which converged from reality upon the outbreak of the Rage Virus.
-
3 days ago |
collider.com | Liam Gaughan
Editor's Note: The following contains spoilers for 28 Years Later.28 Days Lateris regarded as one of the most groundbreaking zombie movies of all time, and not just because its depiction of fast-moving undead creatures broke with the traditional interpretation of slow-moving zombies that George Romero’s films had established. DirectorDanny Boyle made the unique choice of shooting on a Canon XL1 digital video during a period when the industry was transitioning from traditional film.
-
3 days ago |
splicetoday.com | Liam Gaughan
28 Years Later is a mostly brilliant and thoroughly unpleasant sequel with an utterly unnecessary final scene. Danny Boyle reinvented the zombie genre with 28 Days Later, as the Alex Garland-penned film did away with the slow-moving undead that American filmmakers had adopted from George Romero’s Living Dead franchise. Although the rapid, animalistic nature of 28 Days Later’s villains was unnerving, it was Boyle’s stylized direction that made the film so eerie.
-
4 days ago |
collider.com | Justine Kraemer |Shawn Van Horn |Liam Gaughan |ROB WATTS London
‘South Park’ Creators First Skewered Religion in This 1997 Comedy
-
4 days ago |
collider.com | Liam Gaughan
Among the many reasons that Danny Boyleis considered to be one of the best directors working today is that he has shown an interest in many different genres. Between intense science fiction thrillers (28 Days Later, Sunshine), speculative “feel-good” dramas (Millions, Yesterday), acclaimed biopics (127 Hours, Steve Jobs), and gritty indies (Trainspotting, Shallow Grave), Boyle has applied his unique perspective to many types of experiences.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 470
- Tweets
- 9K
- DMs Open
- No