Articles
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2 weeks ago |
vogue.com | Lilah Ramzi
When artist Torkwase Dyson was first invited to design the exhibition space for “Superfine: Tailoring Black Style,” The Metropolitan Museum of Art’s upcoming Costume Institute show, she had no prior history with the department. Born in Chicago and raised in the South, Dyson is principally a painter, sculptor, and theorist. “I don’t have a big personal history with fashion,” she admits with a laugh during our conversation.
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2 weeks ago |
vogue.com | Lilah Ramzi
All products featured on Vogue are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. Vienna has long played muse to Vogue. The city—ever elegant, ever enigmatic—set the stage for one of the magazine’s most iconic stories: The Last Waltz, Mario Testino’s sweeping September 2006 editorial starring Natalia Vodianova as a modern-day empress gliding through Schönbrunn and beyond.
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2 weeks ago |
flipboard.com | Lilah Ramzi
1 day agoWe tend to think of popes as people who are somehow elevated from the rest of us — a few steps up the ladder leading to God, perhaps. But Pope Francis, whose birth name was Jorge Mario Bergoglio, was often thinking of the common citizen, as heard in his comments about migrants, refugees and people …
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4 weeks ago |
vogue.com | Lilah Ramzi
Skip to main contentSign InSearchSign InProducts are independently selected by our editors. We may earn an affiliate commission from links.
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1 month ago |
vogue.com | Lilah Ramzi
In December 1982, Vogue introduced its readers to a man “hotter than hot, narrower than narrow, more body-conscious than anybody could be.” Pictured with his beloved dog Pat-a-Pouf, Azzedine Alaïa was described as “the newest name on the fashion horizon,” a sculptor of silhouette whose radical garments “reflected the complete concept of fit: a narrowing of line, rounding of the hips, broadening of the shoulders.” The French-Tunisian designer was already making waves in Paris; now he was...
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