
Lili Loofbourow
TV Critic at The Washington Post
writer. Washington Post's TV critic. @[email protected]
Articles
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1 week ago |
washingtonpost.com | Lili Loofbourow
HBO’s ‘The Rehearsal’ concludes with the ultimate simulation (washingtonpost.com) HBO’s ‘The Rehearsal’ concludes with the ultimate simulation By Lili Loofbourow 2025052603304900 This article contains spoilers for Season 2 of "The Rehearsal." Nathan Fielder did not solve a power imbalance in the cockpits of commercial airlines, or materially improve aviation safety, in the second season of HBO's "The Rehearsal." That anyone thought he might — and many viewers did — proves how unpredictable...
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1 week ago |
yahoo.com | Lili Loofbourow
This article contains spoilers for Season 2 of “The Rehearsal.”Nathan Fielder did not solve a power imbalance in the cockpits of commercial airlines, or materially improve aviation safety, in the second season of HBO’s “The Rehearsal.”That anyone thought he might — and many viewers did — proves how unpredictable and philosophically challenging Fielder’s mind-bending semireality show has become.
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2 weeks ago |
yahoo.com | Lili Loofbourow
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.Generate Key TakeawaysSure, “Cheers” billed itself as a place where everybody knows your name. But there was really only one name everyone in that famous TV bar knew.
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2 weeks ago |
washingtonpost.com | Lili Loofbourow
In praise of George Wendt’s Norm (washingtonpost.com) In praise of George Wendt’s Norm By Lili Loofbourow 2025052116302200 Sure, "Cheers" billed itself as a place where everybody knows your name. But there was really only one name everyone in that famous TV bar knew.
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3 weeks ago |
unionleader.com | Lili Loofbourow
It’s surely a coincidence that two summer comedies featuring conflicted avatars of conventional masculinity are airing the same week - and that both protagonists spend their respective seasons trying to hide who they really are. But it’s a fun coincidence, akin to when competing studios put out two versions of the same blockbuster around the same time (“A Bug’s Life” and “Antz,” “Armageddon” and “Deep Impact”). Okay, I might be overstating the resemblances.
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