Lilly Wei

1 week ago | artworld.snapeditions.com | Lilly Wei

Visually rich, idiosyncratic, and often playful, Lucio Pozzi: qui dentro/in here is an irreverent career survey, but also a serious meditation on the nature of art, perception, and materiality. “In here” refers to Magazzino’s soaring, skylighted Gallery 8. Featuring some thirty paintings, sculptures and installations, the exhibition is the largest among several U.S. exhibitions marking the Italian-American artist’s ninetieth year.

1 month ago | studiointernational.com | Lilly Wei

Louise Bourgeois, Sheida Soleimani and Gillian Wearing are among the 30 female artists contributing to a show that is challenging, unsettling and sometimes downright uncomfortable Laurie Simmons, The Music of Regret IV, 1994 (detail). Cibachrome print, 19 1/2 x 19 1/2 in. National Museum of Women in the Arts, Promised gift of Steven Scott, Baltimore, in honour of NMWA Director Susan Fisher Sterling. © 2019 Laurie Simmons.

Nov 4, 2024 | artandantiquesmag.com | Lilly Wei

By Lilly WeiTamara de Lempicka (1894–1980) has always been enveloped in a (couture) cloak of mystery, much of it of her own design, created by a disarming, if also disingenuous, vagueness in the telling of her life story that was only loosely fitted to facts. Her art, once hailed as an embodiment of modernity, of Art Deco and the Paris of the 1920s and ‘30s, has roller-coastered through the ensuing years—forgotten, revived, then forgotten again.

Oct 9, 2024 | studiointernational.com | Lilly Wei

You can feel the energy ricocheting between Houseago and his hulking, portentous figures as he takes us on a journey from darkness to light Thomas Houseago, film still, Malibu, California, 2024, courtesy of Angel Projects and Andrew Dominik. Lévy Gorvy Dayan, New York 9 September – 19 October 2024 by LILLY WEI The Leeds-born, Los Angeles-based sculptor Thomas Houseago is back – with a vengeance.

Aug 31, 2024 | artandantiquesmag.com | Lilly Wei

by Lilly WeiKatherine Porter died this past April at the age of 82 in Santa Fe, New Mexico. A month before, the unflaggingly productive painter had an exhibition in Santa Fe at the LewAllen Galleries aptly titled “Brilliance of Spontaneity Untamed.” It was the first major showing of her work in three decades, boosted by the resurgence of interest in geometric abstraction in recent years and in the women of the 1960s, ‘70s and ‘80s who painted them.