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Lisa Kerrigan

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Articles

  • Nov 29, 2024 | bfi.org.uk | Craig Mann |Adam Scovell |Lisa Kerrigan |Kevin Lyons

    On 15 April 2022, former heavyweight boxer Mike Tyson appeared on The Joe Rogan Experience, a podcast on which it is not uncommon for guests to indulge in wild conspiracy theories. In keeping with the show’s reputation, Tyson shared an earnest belief that someone, somewhere has hunted a human being for sport – and, specifically, that a cabal of powerful elites regularly kidnap the vulnerable, traffic them to isolated locales and prey on them like animals.

  • Nov 26, 2024 | bfi.org.uk | Adam Scovell |Lisa Kerrigan |Kevin Lyons |Jacob Heayes

    Part of a golden age of (often landscape-infused) adventure tales published for younger readers, Richard Adams’ 1972 novel Watership Down defined many a 1970s childhood in Britain. But Martin Rosen’s subsequent film adaptation of it in 1978 arguably terrified the same generation as much as it thrilled it, with a notoriously dark, occasionally violent, saga realised through innovative animation.

  • Nov 21, 2024 | bfi.org.uk | Lisa Kerrigan |Charles Fairall |Kevin Lyons |Jacob Heayes

    Our Mediatheque at BFI Southbank provides access to the digital collections of the BFI National Archive, enabling viewers to travel back in time to other televisual eras. 21 November 2024In 1996 the United Nations declared 21 November as World TV Day in recognition of the influence of the medium, and the power it had in global communications.

  • Nov 15, 2024 | bfi.org.uk | Jacob Heayes |Adam Scovell |Lisa Kerrigan |Kevin Lyons

    “Rise and shine, Mr Freeman.” Half-Life 2 players are first greeted not with a tutorial nor text, but with a command and a piercing gaze. As far as overtures go, the opening minute of Valve’s legendary game more closely evokes the uncanny horror of Bergman’s Persona (1966) than the pleasantries of Super Mario Bros. Opening with such a suffocating close-up doubles as a declaration of intent on developer Valve’s part: you are not a spectator of this world but a participant.

  • Nov 12, 2024 | bfi.org.uk | David Parkinson |Craig Mann |Philip Strick |Lisa Kerrigan

    Louis Feuillade is not an easy sell. A Catholic monarchist with a military background, he had championed bullfighting as a journalist before becoming a screenwriter at Gaumont. Here, he quickly rose to succeed Alice Guy-Blaché as artistic director in 1907 and transformed the company’s fortunes with a string of hit crime serials. Unpersuaded by the merits of stylistic experimentation, Feuillade was convinced that cinematic truth was best conveyed by melodrama.

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