Articles

  • 1 month ago | chireviewofbooks.com | Lori Rader-Day

    We hear Florida is a wild place, a fun park-shaped peninsula where, bad news, alligators can apparently climb walls. The literature of Florida is similarly outlandish: Karen Russell, Carl Hiassen, Tim Dorsey—all writers who seem to be having far more fun than most.

  • 2 months ago | chireviewofbooks.com | Lori Rader-Day

    In Neko Case’s riveting new memoir, The Harder I Fight the More I Love You, the musician often refers to herself as an animal: a “beast” as a child, as someone still with “werewolf inside”—most often, a “wounded critter.” It’s not difficult, reading this primal howl of a book, to see why Case might have identified with the tenderness of animals.

  • Dec 3, 2024 | chireviewofbooks.com | Lori Rader-Day

    It might be a trope, but crime novelist Alex Segura is pretty mild-mannered. Behind his Clark Kentish super kindness is a hard-working writer trying to bring zap! and pow! to crime fiction while also giving voice to underrepresented characters in the world he grew up in: comic books. Segura worked in the comics trade for years and, side-hustle style, wrote and published a series of private investigator novels before deciding to cross the streams.

  • Nov 10, 2023 | chireviewofbooks.com | Lori Rader-Day

    There’s no way to ease into this. I met James Kennedy in person while he was dressed as a tornado. If your brain can stretch to imagine what that looked like and how it might be done, Kennedy’s new book, Bride of the Tornado, is for you. With that particular Midwest experience of high winds and destruction turned into the horror novel’s monster, Bride of the Tornado is a high-velocity twister of a ride.

  • Oct 3, 2023 | crimereads.com | Lori Rader-Day

    My historical novel published in 2021, Death at Greenway, used research on the real people who had lived on the estate of Agatha Christie’s holiday home in the English Riviera during World War II. Faced with the universe of facts I could lay my hands on, I had to be selective about which details were worth including. Complex family arrangements, in particular, didn’t carry enough story weight.