Articles

  • Jul 19, 2024 | libraryjournal.com | Lucy Morris

    As the daughter of an up-and-coming architect trying to cement his place in society, Marina dutifully made her debut and attends stodgy social functions full of arrogant aristocrats. When she meets Brook, Duke of Framlingham, he is intrigued by her intelligence. Though neither has a mind toward marriage, they realize that forming a fake engagement would allow them the freedom they desire—for Brook to travel and for Marina to toil at composing without interruption.

  • Jul 12, 2023 | bookriot.com | Hazel Jane Plante |Lucy Morris |Mia Tsai |Nana Kwame Adjei-Brenyah

    Oh, Imogen. This character broke my heart. She’s the epitome of the enthusiastic ally to bisexual pipeline. She’s so entrenched in queer discourse that she’s tied herself in knots. She thinks having a maybe-crush on a girl must be her secretly, inside her own head, appropriating queer culture. I just wanted to give her a hug.

  • Jun 27, 2023 | thelondonmagazine.org | Lucy Morris

    Jack Houston Grrrrreat just do it good things come to those who wait it’s good to talk refreshes the parts other beers cannot because i’m worth it think different i’m lovin it they’re grrrrreat wait it’s good to talk refreshes the parts vorsprung durch technik every little helps think different i’m lovin it they’re grrrrreat exactly what it says on the tin vorsprung durch technik every little helps beanz meanz heinz it’s finger lickin good cannot reach what it says on the tin either love it...

  • Jun 21, 2023 | thelondonmagazine.org | Lucy Morris

    Erik Martiny. Antonia Crane’s memoir Spent was published by Rare Bird Books and translated into French to great acclaim by Tusitala last year. As a PhD candidate, she continues to advocate for strippers’ rights. She also writes essays for such outlets as The New York Times, PRISM and Buzzfeed. Spent, takes a wonderfully unflinching look at your younger years and your experience of life in the sex industry.

  • Jun 19, 2023 | thelondonmagazine.org | Lucy Morris

    Patrick ChristieThe interior surfaces of the exhibition’s final room were so spotlessly white that it was difficult to tell where the walls met the floor, the ceiling or each other. It gave Simeon the sensation of being at the centre of a vast void outside of space-time. The only break in this expansive whiteness was a large mirror, which covered the central section of the wall directly in front of him.

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