Articles

  • 2 months ago | nybooks.com | Lucy Sante

    I first became aware of Larry Fink, who died in 2023, sometime in the 1980s when I bought an oversize postcard of one of his pictures. It showed one of his neighbors in Martins Creek, Pennsylvania, a lady with a mischievous expression, her tongue lodged in a corner of her mouth, squinting over a revolver she is aiming straight at the camera. I didn’t intend to mail the postcard—in fact, I still have it. I was drawn by its comic danger, its ambiguity, its seeming to come out of nowhere.

  • Jan 14, 2025 | criterion.com | Lucy Sante

    Essays— Jan 14, 2025 The Mother and the Whore is Jean Eustache’s signature film, one of only two features he completed in his short life (1938–81). Although famous in part for its epic length, it is really a very simple film, a triangle picture like Casablanca or Jules and Jim, but with only a handful of characters altogether, and shot in the nouvelle vague terrain of real-world sets decorated by time and habit.

  • Dec 5, 2024 | electricliterature.com | Jill Ciment |Oliver Radclyffe |Lucy Sante |Orhan Pamuk

    Electric Literature Urgently Needs Your HelpFor the 15,000 people who visit our site every day, reading Electric Literature costs nothing. And yet Electric Lit is not free. We need to raise $25,000 by December 31, 2024 to keep Electric Literature going into next year. If the continued existence of Electric Literature means something to you, please make a contribution today.

  • Oct 8, 2024 | criterion.com | Lucy Sante |Chris Fujiwara

    The Seventh Victim (1943), produced by Val Lewton and directed by Mark Robson, is a delicate, muted, atmospheric horror film that is somehow more than the sum of its parts.

  • Oct 8, 2024 | criterion.com | Chris Fujiwara |Lucy Sante

    Jacques Tourneur’s claim that he never turned down any script that was offered to him is well known. Less often cited is his justification for this policy. “Do you really know your sensibility so well,” he said in an interview, “that you can affirm that it will cause you to succeed with this scene rather than another?

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