Luis A. Gómez

5 days ago | newyorker.com | Luis A. Gómez

Griffin Newman, a host of the podcast “Blank Check,” stood in the Museum of the Moving Image, in Astoria. Above his head hung a black motorbike, made for Tom Cruise’s climactic cliff-jumping scene in the 2023 movie “Mission: Impossible—Dead Reckoning.” “I had several childhood birthday parties here,” Newman said fondly. The thirty-six-year-old actor and comedian was visiting a “Mission: Impossible” exhibition, together with his co-host, the Atlantic film critic David Sims, and a few colleagues.

3 weeks ago | more-tk.medium.com | Luis Gomez |Luis A. Gómez

As I blasted through my second playthrough of Cyberpunk 2077, a part of my brain would gnaw at chores unfinished and meals uneaten, and then I’d reënter reality and it would be 2am and I’d have cranked out another five hours gunrunning around the neon-soaked streets of Night City. It felt like playing games as a high schooler, when I would blow past homework deadlines in match after match of Dota 2, only to confront said obligations when the sun rose the next day.

3 weeks ago | more-tk.medium.com | Luis Gomez |Luis A. Gómez

Rewatching Ferrari, or how to start a yearOriginally published on January 1, 2024. If you watch enough movies, soon enough your year gets divided up by release dates.

1 month ago | dialnet.unirioja.es | Ana Montenegro |Maribel Plaza Tenorio |Rafael Alvarez |Luis Gomez |Luis A. Gómez

Ayuda Buscar en la ayuda Buscar en la ayuda Características de pacientes atendidos en dos clínicas de anticoagulación de Colombia Ana Montenegro [1] ; Maribel Plaza [2] ; Rafael Álvarez [1] ; Angie Pinto [2] ; Luis Gómez [2] ; Jhon Castaño [2] ; Diana Giraldo [2] ; Andrés Buitrago [1] [1] Universidad de Los Andes [2] Universidad de Antioquia Localización: Revista Colombiana de Cardiología, ISSN-e 2357-3260, ISSN 0120-5633, Vol. 28, Nº. 4, 2021, págs. 353-359 Idioma: español Títulos paralelos:...

Nov 24, 2024 | itsluisgomez.com | Luis A. Gómez

At the end of March 2020, as the pandemic lockdowns entered their first full month, Dan Olson published “I Can’t Stop Watching Contagion,” a short video essay from which this work takes its title. Olson’s video is a tidy summary of the mental state many found ourselves in during those first few days and weeks—glued inexorably to media that would hurt us, but hurt us in a good way, in a way that felt like learning, or at least like we were keeping abreast of the daily horrors.