Luke Hicks
Writer, Editor, Film Critic and Journalist at Freelance
film journalist, filmmaker | “Desert Window” | “The Last Q-tip” | “Metataxy” | words: @thefilmstage @pastemagazine @lwlies + | luke.hicks.writes@gmail
Articles
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4 days ago |
avclub.com | Luke Hicks
When the couple approached scripts for their first film together, Cooke said they “actually looked at both Drive-Away Dykes and Honey Don’t! and thought Drive-Away Dykes had more humor in it.” They were right. Honey Don’t! is not very funny. It’s more of a smirker, but the occasional bit lands with real comic weight, like the call and response established between Honey and fellow horny detective Marty Metakawich (Charlie Day doing exactly what you’re expecting), the station’s resident moron.
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4 days ago |
flipboard.com | Luke Hicks
6 days agoNext up? Supergirl: Woman of Tomorrow. YOU MAY THINK you have an idea of what Sirens, Netflix's new darkly comedic limited series set in the fictional beach resort town of "Port Haven," is all about. The last few years of television have been chock full of shows centered on Rich People Behaving Badly …
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4 days ago |
pastemagazine.com | Luke Hicks
Listen to this article Your browser does not support the audio element. Wes Anderson, King of Color, kicked down the door to his career when he released The Royal Tenenbaums in 2001. Bottle Rocket and Rushmore were escalating degrees of indie breakouts, but his star-studded, enigmatic third more than tripled the combined box office of the previous two (The Grand Budapest Hotel is still the only one that’s bested it).
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4 days ago |
avclub.com | Luke Hicks
A pretty pathetic guy too nice to heist with conviction but too spineless not to try, J.B. never gets more commanding than a terse mutter, followed by an apology for having too much coffee. It’s hard to imagine how he plans on leading the job, much less convincing anyone else to take part. He orchestrates his first and last operation so poorly that his teammates have to crank-roll the back window open mid-steal, cops in pursuit.
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5 days ago |
yahoo.com | Luke Hicks
There’s an edge to J.B. Mooney (Josh O’Connor), the sullen, soft-smiling sweet-talker at the heart of Kelly Reichardt‘s The Mastermind, a sly cool that screams—to the omniscient viewer, at least—thief. That couldn’t be further from the truth.
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