Lynette Nylander

New York

Executive Digital Director at Harper's Bazaar

Writer and Editor at Freelance

funky homosapien ▪️writer ▪️ founder at https://t.co/xigWeXfAVi▪️ founder at https://t.co/ekbphATMZT▪️ NY but 4ever LDN 🇬🇧▪️[email protected] 🤟🏿

Articles

The Sunglasses That Make Me Feel Like I am in a 90s Music Video

1 week ago | harpersbazaar.com | Lynette Nylander

The reason I love sunglasses is contradictory. While most people like them to block folks from seeing their eyes and the tiredness and sins from the night before, I’ve always been drawn to sunglasses with a light tint, or a completely transparent lens as if to say 'Look at me!' I think the inspiration comes from my formative years, where beautiful alternative girls of the nineties and aughts made barely-there shades their signature.
These Sunglasses Make Me Feel Like I am in a '90s Music Video

1 week ago | yahoo.com | Lynette Nylander

The reason I love sunglasses is contradictory. While most people like them to block folks from seeing their eyes and the tiredness and sins from the night before, I’ve always been drawn to sunglasses with a light tint, or a completely transparent lens as if to say 'Look at me!' I think the inspiration comes from my formative years, where beautiful alternative girls of the nineties and aughts made barely-there shades their signature.
Nadia Lee Cohen’s Newest Persona: Saint Laurent Office Siren

1 month ago | harpersbazaar.com | Lynette Nylander

Even if you haven’t heard the name Nadia Lee Cohen, you’re likely familiar with her work. Remember Kim Kardashian’s unsettling Christmas cover of “Santa Baby” featuring Macaulay Culkin as Santa Claus? That was Cohen. Whether it’s photographing Rihanna as a risque nun or directing Kim and Kourtney Kardashian for an Italian-themed Skims x Dolce & Gabbana campaign, Cohen consistently brings something unexpected to the table.
At Givenchy, it’s a new dawn

1 month ago | ca.style.yahoo.com | Lynette Nylander

At Givenchy, it’s a new dawn Hearst OwnedAs fashion’s insiders departed the courtyard of Hôtel de Caraman this morning post Sarah Burton’s debut for Givenchy, they were handed a dossier. Inside were the final fitting photographs from Burton’s 52 looks, complete with handwritten notes. There were descriptions of the four types of tulle it took to make the frothy limoncello-coloured A-line gown, one of the most arresting of the show.
At Givenchy, it’s a new dawn

1 month ago | harpersbazaar.com | Lynette Nylander

As fashion’s insiders departed the courtyard of Hôtel de Caraman this morning post Sarah Burton’s debut for Givenchy, they were handed a dossier. Inside were the final fitting photographs from Burton’s 52 looks, complete with handwritten notes. There were descriptions of the four types of tulle it took to make the frothy limoncello-coloured A-line gown, one of the most arresting of the show.
At Paris Fashion Week, Designers Play Their Hits

1 month ago | harpersbazaar.com | Lynette Nylander

You could almost sort the Paris shows into two categories this season. There were the designer debuts—namely the long-awaited collections of Haider Ackermann for Tom Ford, Sarah Burton for Givenchy, and Julian Klausner for Dries Van Noten. And then there were the mainstays like Dior, Rick Owens and Isabel Marant, who presented collections about ideas, silhouettes, and proportions that showcased their signature aesthetic. But they all stuck to what they do best.
At Givenchy, It’s A New Dawn

1 month ago | harpersbazaar.com | Lynette Nylander

As fashion’s insiders departed the courtyard of Hôtel de Caraman this morning post Sarah Burton’s debut for Givenchy, they were handed a dossier. Inside were the final fitting photographs from Burton’s 52 looks, complete with handwritten notes. There were descriptions of the four types of tulle it took to make the frothy limoncello-colored A-line gown, one of the most arresting of the show.
At Givenchy, It’s A New Dawn

1 month ago | yahoo.com | Lynette Nylander

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." As fashion’s insiders departed the courtyard of Hôtel de Caraman this morning post Sarah Burton’s debut for Givenchy, they were handed a dossier. Inside were the final fitting photographs from Burton’s 52 looks, complete with handwritten notes. There were descriptions of the four types of tulle it took to make the frothy limoncello-colored A-line gown, one of the most arresting of the show.
Alaïa Reminds Us About the Cyclical Nature of Inspiration

1 month ago | harpersbazaar.com | Lynette Nylander

In the era of mega brands and paid celebrity entrances, it’s hard for a fashion show to feel like a moment. They so often feel like a gaudy marketing exercise than they do a presentation of new and dynamic ideas, and it’s hard to have a collection’s inherent magic jump from the runway photos into the public consciousness. But last night at Alaïa offering, in an unassuming entrance in Paris’ 11th arrondissement (which turned out to be the house’s brand new headquarters), you felt a buzz in the air.
Alaïa Reminds Us About the Cyclical Nature of Inspiration

1 month ago | yahoo.com | Lynette Nylander

Alaïa's Pieter Mulier Will Always Dare to Dream Courtesy of AlaiaIn the era of mega brands and paid celebrity entrances, it’s hard for a fashion show to feel like a moment. They so often feel like a gaudy marketing exercise than they do a presentation of new and dynamic ideas, and it’s hard to have a collection’s inherent magic jump from the runway photos into the public consciousness.