
Articles
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1 week ago |
broadwayworld.com | Lynn Beaver
Get Access To Every Broadway StoryUnlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Email:Existing user? Just click login. For most of us, video games have always been a part of life—a constant presence shaping our downtime and friendships. WANNA PLAY, the new play by Christine Hoang, brings a video game to life on stage, but more importantly, explores the deeper games we play within ourselves.
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1 month ago |
broadwayworld.com | Lynn Beaver
Stage Austin presents the hysterical Christopher Durang comedy VANYA AND SONIA AND MASHA AND SPIKE from March 21st through April 8th at Sterling Stage Austin. I’m a big fan of Christopher Durang’s work—from Sister Mary Ignatius Explains It All for You to Mrs. Bob Cratchit’s Wild Christmas Binge. His midnight-dark comedy and razor-sharp wit always stand out, and this 2013 Tony Award-winning Best Play showcases Durang’s skill to perfection.
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1 month ago |
broadwayworld.com | Lynn Beaver
Today I am thrilled to have the opportunity to interview Makoto Matsuda. Makoto is not only a giant in the anime genre but a producer with Appare Co., Ltd, the company responsible for bringing the first 2.5D musical to our continent. I’ve never seen this new type of theatre and I’m very curious about what PRETTY GUARDIAN SAILOR MOON: THE SUPER LIVE TOUR has in store for us on Saturday, March 15th at Bass Concert Hall.
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2 months ago |
broadwayworld.com | Lynn Beaver
The world premiere of RABBITS at the Vortex delivers an exceptional cast, incredible directing and a whopping great story. Every aspect of this show is stellar, showing the creativity and dedication to the art of theatre available right here in our fair city. Written by acclaimed Austin playwright, Sarah Saltwick, RABBITS is a tight thriller that runs for just 70 minutes. The length of the production belies its astounding depth, character development and beauty.
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Jan 16, 2025 |
broadwayworld.com | Lynn Beaver
Farce, with its fast-paced action, physical comedy, and absurdity, is my favorite type of theatre. The national tour of CLUE - Live On Stage! fits the definition perfectly, delivering buffoonery, slamming doors, and breathless pacing. This 80-minute, no-intermission comedy is a stage adaptation of the beloved 1985 movie, itself inspired by the iconic board game. While the production offers moments of laughter and whimsy, it ultimately struggles to recapture the magic of its source material.
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