
Madeleine Gray
Freelance Writer at Freelance
Author of GREEN DOT, out w @AllenAndUnwin (2023), @wnbooks (2024), @HenryHolt (2024). PhD at @OfficialUoM, book critic.
Articles
-
4 weeks ago |
lesen.de | Madeleine Gray |Barry Lewis |George Eliot |John Steinbeck
A BEST BOOK OF 2024 IN STYLIST, DAILY MAIL, THE I, IRISH TIMES, SUNDAY TIMES AND REDHera is in her mid-twenties, which seems young to everyone except people in their mid-twenties. Since leaving school, she has been trying to kick and scream into existence a life she cares about, but with little success so far. Until she meets Arthur. He works with her, he is older than her, he is also married.
-
2 months ago |
thesaturdaypaper.com.au | Madeleine Gray
People can be snobs about science fiction, and I admit that until a few years back I was one of them. Meanwhile, I had absolutely no problem seeing the literary merit in magical realism, romance fiction – arguably the most implausible genre of all – even fantasy. Science fiction seemed like a negatively masculine genre to me – a place where men could nerd out fantasising about high-tech apocalypses and cyborg women with innumerable breasts.
-
Dec 6, 2024 |
thesaturdaypaper.com.au | Madeleine Gray
Lili Anolik is a journalist who enjoys writerly gossip, and so, dear reader, am I. Didion & Babitz is Anolik’s dual biography of Los Angeles counterculture chroniclers Joan Didion and Eve Babitz and, whatever else it may be, it is indubitably literary gossip of the highest order. I first came across Anolik’s work in 2019 when she published a riveting oral history of the writers who studied at Bennington College in the 1980s.
-
Oct 18, 2024 |
thesaturdaypaper.com.au | Madeleine Gray
If you understand something well, you can explain it simply. Melanie Cheng understands ordinary people – their love, their quiet desperation, their hope – and the restrained, elegant prose of The Burrow is testament to this. The novel is slim and each word is carefully chosen. It feels as if every sentence is a distillation.
-
Sep 27, 2024 |
thesaturdaypaper.com.au | Madeleine Gray
A Scottish businessman at the beginning of the 20th century. A magical, moving pub in 1990s Melbourne. Ships. Ghosts. A lot of talk about wood – not a metaphor, just wood. Hubris and other human fallibilities. I wanted to love Jock Serong’s Cherrywood – for the ambitiousness and reach of its plot, for its parallels with Enid Blyton’s The Faraway Tree series, for its consideration of colonialism and gentrification – but it left me cold. Cherrywood works on two timelines.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 1K
- Tweets
- 839
- DMs Open
- No