Articles

  • 4 weeks ago | lesen.de | Madeleine Gray |Barry Lewis |George Eliot |John Steinbeck

    A BEST BOOK OF 2024 IN STYLIST, DAILY MAIL, THE I, IRISH TIMES, SUNDAY TIMES AND REDHera is in her mid-twenties, which seems young to everyone except people in their mid-twenties. Since leaving school, she has been trying to kick and scream into existence a life she cares about, but with little success so far. Until she meets Arthur. He works with her, he is older than her, he is also married.

  • 2 months ago | thesaturdaypaper.com.au | Madeleine Gray

    People can be snobs about science fiction, and I admit that until a few years back I was one of them. Meanwhile, I had absolutely no problem seeing the literary merit in magical realism, romance fiction – arguably the most implausible genre of all – even fantasy. Science fiction seemed like a negatively masculine genre to me – a place where men could nerd out fantasising about high-tech apocalypses and cyborg women with innumerable breasts.

  • Dec 6, 2024 | thesaturdaypaper.com.au | Madeleine Gray

    Lili Anolik is a journalist who enjoys writerly gossip, and so, dear reader, am I. Didion & Babitz is Anolik’s dual biography of Los Angeles counterculture chroniclers Joan Didion and Eve Babitz and, whatever else it may be, it is indubitably literary gossip of the highest order. I first came across Anolik’s work in 2019 when she published a riveting oral history of the writers who studied at Bennington College in the 1980s.

  • Oct 18, 2024 | thesaturdaypaper.com.au | Madeleine Gray

    If you understand something well, you can explain it simply. Melanie Cheng understands ordinary people – their love, their quiet desperation, their hope – and the restrained, elegant prose of The Burrow is testament to this. The novel is slim and each word is carefully chosen. It feels as if every sentence is a distillation.

  • Sep 27, 2024 | thesaturdaypaper.com.au | Madeleine Gray

    A Scottish businessman at the beginning of the 20th century. A magical, moving pub in 1990s Melbourne. Ships. Ghosts. A lot of talk about wood – not a metaphor, just wood. Hubris and other human fallibilities. I wanted to love Jock Serong’s Cherrywood – for the ambitiousness and reach of its plot, for its parallels with Enid Blyton’s The Faraway Tree series, for its consideration of colonialism and gentrification – but it left me cold. Cherrywood works on two timelines.

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