Marco Pisciotti

5 days ago | soundsandcolours.com | Marco Pisciotti

Bogotá’s Festival Estéreo Picnic has always lived in a unique middle ground, between slick international headliners and the local underground that makes the region’s music scene so rich. But year after year it seems like its core remains intact, even during shifting times for the musical ecosystem.

5 days ago | soundsandcolours.com | Marco Pisciotti

Now in its third edition, BIME Bogotá has firmly positioned itself as one of the key convenings for music industry professionals in Latin America and the wider Ibero-American ecosystem. What began as a Bilbao-based industry gathering in 2013 has steadily expanded into a two-city circuit. The Bogotá chapter—held this year from May 6 to 9—has emerged as more than just a satellite. It’s become a crucial meeting point between institutional frameworks and grassroots musical momentum.

1 month ago | soundsandcolours.com | Marco Pisciotti |Rebecca Wilson

As Bogotá’s Estéreo Picnic 2025 approaches, it’s clear that this happening is about more than just flashy pop acts—it’s about evolution and intent. The event has come a long way from its humble beginnings, growing into one of the region’s most distinctive large-scale music gatherings, balancing global stars with a deep commitment to the region’s most exciting artists.

1 month ago | soundsandcolours.com | Marco Pisciotti

Pablo Drexler, better known as pablopablo, doesn’t fit into any one mold. He moves fluidly between styles, crafting intricate compositions that feel both deeply personal and sonically expansive. From writing for C. Tangana and Nathy Peluso to experimenting with the sounds of corridos tumbados, he’s constantly finding new ways to challenge himself.

2 months ago | soundsandcolours.com | Marco Pisciotti

Mónica Giraldo is one of those artists whose music carries the weight of tradition while effortlessly embracing the present. A singer-songwriter deeply rooted in Colombia’s folk heritage, her work bridges the timeless and the contemporary, weaving acoustic storytelling with the subtle influence of global sounds. We first encountered Mónica’s work through her manager, Lucrecia Rotlewicz, at last year’s Bogotá Music Market (BOmm).