Marko Gluhaich

New York

Senior Editor at Frieze

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Articles

Tolia Astakhishvili and James Richards: Innovations in Architectural Film

2 months ago | frieze.com | James Richards |Marko Gluhaich |Tolia Astakhishvili

This piece appears in the columns section of frieze 250,‘ON SET’Marko Gluhaich How did your collaboration begin? James Richards Our work together grew organically out of our separate practices. In 2018–19, I curated a series of exhibitions – at Cabinet in London, Chapter in Cardiff and Delmes & Zander in Cologne – for which Tolia made installations to display her own drawings or works by other artists.
The New York Galleries Shaping the Scene

2 months ago | frieze.com | Travis Diehl |Will Fenstermaker |Marko Gluhaich |Jane Harris |Terence Trouillot

Frieze PublishingYes, email me reviews, offers, and opinions by artists, writers, and editors from Frieze Frieze EventsYes, email me Frieze Events Inc and Frieze Events Ltd’s global programme information including special offers and benefits It’s no secret that New York’s art ecosystem is under strain. As institutions slash budgets and corporate sponsorships evaporate, the ripple effects have hit small and mid-sized galleries hardest – many shuttering just as they hit their stride.
‘We’re all Responsible’: Two New Films Grapple with Amorality

Mar 7, 2025 | frieze.com | Marko Gluhaich

Somehow, a ‘Star Wars’ (1977–ongoing) parody seems perfectly in line with the rest of Bruno Dumont’s oeuvre. The filmmaker behind a dire drama about evil punks (The Life of Jesus, 1997), a meditative crime tragedy (Humanité, 1999) and a Joan of Arc duology (Jeannette: The Childhood of Joan of Arc, 2017, and Joan of Arc, 2019) has long been investigating the Manichaeism undergirding the nearly 50-year-old franchise’s extraterrestrial battles.
The Humour in Michael Asher’s Institutional Critique

Jan 15, 2025 | frieze.com | Marko Gluhaich

Michael Asher: a comedian of the first order. His artworks – mostly discrete commissions – render their prompts ridiculous and expose their underlying ironies. They obviate post hoc commodification, eschewing authorship in their final presentation. Take his contribution to the September 1975 issue of Vision – on view in Asher’s current survey at Artists Space, New York – which invited artists to ‘show whatever they wanted to represent themselves’.
The Year in Review: Frieze Editors on Art in 2024

Dec 10, 2024 | frieze.com | Marko Gluhaich |Vanessa Peterson |Lou Selfridge |Chloe Stead

Marko Gluhaich What trends have you noticed this year? Chloe Stead Every year, I express disappointment in the performances I’ve seen, but this year, I finally encountered an example of the gritty body art performance I’d been missing. I didn’t think I cared for Young Boy Dancing Group because they seemed gimmicky – something for Instagram. But this August, I attended a self-titled performance they did in the courtyard of an empty apartment block in Berlin and was blown away.
Beyoncé to Sabrina Carpenter: Tanner Adell’s Country Music Guide

Oct 28, 2024 | frieze.com | Tanner Adell |Marko Gluhaich

This piece appears in the columns section of frieze 247, ‘Lay of the Land’During summers growing up, I’d visit my cousins in Wyoming, where we’d do a lot of labouring outside or in the workshop. Country music was always on the radio. That lifestyle has always rung true for me, and country music – written by people, for people – caters to the blue-collar way of life.
Editor’s Picks: Albert Serra Captures the Brutality of Bullfighting

Oct 27, 2024 | frieze.com | Marko Gluhaich

Frieze Editor’s Picks is a fortnightly column in which a frieze editor shares their recommendations for what to watch, read and listen to. Albert Serra, Afternoons of Solitude (2024)Serra’s sparse, meditative documentary about the young Peruvian-born torero Andrés Roca Rey is an enrapturing two hours of erotics and violence, though its brutality makes it challenging to watch.
Petrit Halilaj Reads History in Classroom Desks

Sep 29, 2024 | frieze.com | Marko Gluhaich

The Kosovo War is considered to have ended in June 1999 after the Kumanovo Agreement was signed by the International Security Force and the governments of the Federal Republic of Yugoslavia and the Republic of Serbia. Yet today, the region remains disputed; Kosovo is still not a member of the UN, many member countries don’t recognize its sovereignty and as recently as 2022 Serbia considered deploying 1000 troops to its southern neighbour.
What Can Dance Do for Film?

Sep 25, 2024 | frieze.com | Damien Jalet |Marko Gluhaich

This piece appears in the columns section of frieze 246, ‘Dance’When I work on a film, I always ask myself: what is dance going to bring to it? There was absolutely no indication about dance or choreography when I first read the script for Emilia Pérez (2024); however, all the music and dialogue was already written. I thought it would be challenging to bring dance into such a structured story.
‘Lesbians Are More Fun’: R.H. Quaytman on Gertrude Stein

Aug 16, 2024 | frieze.com | Marko Gluhaich |R.H. Quaytman

For frieze’s September 2024 issue, we invited R.H. Quaytman to create new works to accompany Lara Pawson’s essay about Gertrude Stein’s poem ‘If I Told Him: A Portrait of Picasso’. Quaytman responded to the prompt with a whole series of images. We’re sharing those here along with a brief conversation between her and associate editor Marko Gluhaich. Marko Gluhaich: What is your relationship to poetry? R.H. Quaytman: Matriarchal. MG: What inspires the incorporation of poets and verse in your work?