Articles

  • 1 week ago | vogue.com | Marley Marius |Max Ortega

    Out there is a video, captured on someone’s phone, in which Colman Domingo, star of last year’s affecting prison drama Sing Sing, can be seen onstage during the Oscars, doing a jaunty little dance. As he bops along to Maze’s “Before I Let Go,” his lank frame a blur of scarlet and black Valentino, he shouts out members of the audience—“C’mon, Cynthia! C’mon, Penélope!”—not that they need much persuading: The entire front row, from Kylie Jenner to Demi Moore, is on their feet.

  • 2 weeks ago | vogue.com | Marley Marius

    We Had a World—a funny, moving, and at times startlingly intimate new memory play from Joshua Harmon (Prayer for the French Republic), currently running off-Broadway at New York City Center Stage II—features Joanna Gleason as Renee, a woman as charming and whimsical as she is… a bit of a nightmare.

  • 1 month ago | vogue.com | Marley Marius

    If you felt a quiver in the air in Manhattan today—one that seemed to radiate from the northeast corner of Fifth Avenue and East 70th Street—it was likely because the Frick Colleciton, which closed the doors of its Beaux-Arts mansion five years ago for a sweeping expansion, briefly reopened this morning for a special preview.

  • 1 month ago | vogue.com | Marley Marius

    Though she was just 20 when Pride & Prejudice premiered at the Toronto International Film Festival in 2005, Keira Knightley had already built up a considerable body of work by then, with roles in 2002’s Bend It Like Beckham and 2003’s Pirates of the Caribbean: The Curse of the Black Pearl and Love Actually behind her.

  • 1 month ago | vogue.com | Marley Marius |Andrew Jacobs

    When, in 2013, The New York Times sounded a call for stories from fans of The Last Five Years—​a show with music, lyrics, and a book by Jason Robert Brown—​the responses were many and deep. The fleet musical had recently been revived off-​Broadway and its devotees wrote of the way its story—​about the painful dissolution of a marriage between two artists—​had helped them parse their own relationships.

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