Articles

  • 1 week ago | worldofinteriors.com | Martin Gayford

    In 1529 the painter Lorenzo Lotto complained that his mind was ‘much assailed by various and strange disturbances’. This was an unusual declaration to make in a business letter, but then Lotto (c1480–1556/7) was far from being a prosaically conventional individual. He was neurotic, driven, obsessive and possessed the imagination of a 16th-century René Magritte. His letter concerned the 68 intarsia, or marquetry, panels he designed to adorn the choir stalls of Santa Maria Maggiore in Bergamo.

  • 1 month ago | spectator.co.uk | Martin Gayford

    ‘I’m full of excitement waiting for this to dry out,’ Sir Frank Bowling exclaims. We are sitting in his studio, a room in a quiet Victorian yard that survives amid the tower blocks of Elephant and Castle. In front of us a semi-finished canvas – a glorious welter of yellow and orange in diverse modulations – is pinned to the wall. It’s executed in acrylics, a water-based material. Bowling, like Turner – one of his heroes – believes in using buckets of water, sometimes more or less literally.

  • 1 month ago | spectator.com.au | Martin Gayford

    ‘I’m full of excitement waiting for this to dry out,’ Sir Frank Bowling exclaims. We are sitting in his studio, a room in a quiet Victorian yard that survives amid the tower blocks of Elephant and Castle. In front of us a semi-finished canvas – a glorious welter of yellow and orange in diverse modulations – is pinned to the wall.

  • Dec 4, 2024 | spectator.com.au | Martin Gayford

    Colour, the painter Patrick Heron once proclaimed, is a continent that artists have yet to explore. The mammoth two-volume The Book of Colour Concepts (Taschen, £150) catalogues numerous attempts to map this mysterious chromatic domain, from the late 17th century to the mid 20th. It quickly becomes clear that this area is infinitely vast.

  • Dec 3, 2024 | spectator.co.uk | Martin Gayford

    Colour, the painter Patrick Heron once proclaimed, is a continent that artists have yet to explore. The mammoth two-volume The Book of Colour Concepts (Taschen, £150) catalogues numerous attempts to map this mysterious chromatic domain, from the late 17th century to the mid 20th. It quickly becomes clear that this area is infinitely vast. One only has to glance at the plates of the ‘Viennese Colour Cabinet’ (1794) – a whole column of blue-greens – to realise that.

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Martin Gayford
Martin Gayford @MartinGayford
19 Apr 17

RT @AlanCristea: #JimDine’s six-decade experiment: an interview with @MartinGayford in this month's @Apollo_magazine https://t.co/nWZGalO4p…

Martin Gayford
Martin Gayford @MartinGayford
15 Apr 17

RT @AlanCristea: #SaveTheDate Wed 19 April, 6pm #GillianAyres Book Launch with @AndrewMarr9 and @MartinGayford. Email [email protected]

Martin Gayford
Martin Gayford @MartinGayford
7 Apr 17

Fabulous exhibition of painting by Gillian Ayres 1950s-80s at the National Museum of Wales, Cardiff @AmgueddfaCymru https://t.co/mvegIZTytb