
Mary Gordon
Articles
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Dec 3, 2024 |
commonwealmagazine.org | César J. Baldelomar |Mary Gordon
The morning after the election, my social-media feed was flooded with posts expressing shock and dismay over Donald Trump’s return to office. But there was also relief and joy, and even celebration over what some hailed as a victory for Christianity. Many of those celebratory posts came from Latinos, including some of my own family members. I’m a close follower of voting trends and take pains to speak with people outside of my “bubble,” so I was not surprised by the results of the election.
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Nov 29, 2024 |
commonwealmagazine.org | Céire Kealty |Mary Gordon
In the range of social-justice issues clamoring for our attention, clothing doesn’t tend to rank very high. We often think of what we wear as an individual choice of self-expression rather than an ethical decision. But more and more, consumers, activists, and legislators have come to understand the complex set of issues that come with making, selling, and buying clothing.
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Nov 27, 2024 |
commonwealmagazine.org | Paul Moses |Mary Gordon
For four decades of its century-long history, Commonweal feuded with the Brooklyn Tablet, a diocesan newspaper with a national, right-wing audience drawn by support of 1930s radio preacher Fr. Charles Coughlin and, later, Sen. Joseph McCarthy. To the Tablet and its fiery managing editor, Patrick Scanlan, Commonweal was “masquerading” as a Catholic publication, written by elitists who catered to a secular media that was hostile to the Church.
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Nov 27, 2024 |
commonwealmagazine.org | James Chappel |Mary Gordon
W. H. Auden has long been a name to conjure with. The English-born poet, who spent much of his life in exile, had a long and restless career. Most famous, perhaps, is the left-wing Auden: the one who drove an ambulance in Spain and wrote the immortal “Spain 1937.” Others prefer the cerebral critic of modernity, whose classical learning alerted him to the ways that human flourishing was being impeded by modern forms of bureaucracy and control.
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Oct 23, 2024 |
commonwealmagazine.org | Mary Gordon
Reading Elizabeth Cullinan is for me both a pleasurable and a painful experience. Pleasurable because of the fineness of the style, what Gerard Manley Hopkins called “the achieve of; the mastery of the thing!” But painful because she so perfectly captures the midcentury Irish-American habit of mistrusting joy, the acceptance of begrudgement, the fear of taking too much that results, finally, in taking nothing.
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