Articles

  • 6 days ago | dailydead.com | Matt Donato

    Filmmaker and producer Chad Archibald has quietly been cornering Canada's independent horror scene with his company, Black Fawn Films. Titles like The Drownsman and Bite might range in quality, but if there's one thing Black Fawn's output gets right, it's a textbook treatment of the term "scary." Archibald's latest tale of terror, It Feeds, strengthens that comment because it might be his best presentation of frightful entertainment (so far).

  • 1 week ago | dailydead.com | Matt Donato

    If there was ever a follow-up to 2019's documentary Horror Noire: A History of Black Horror, Sinners would be a centerpiece. Ryan Coogler's Jim Crow-era vampire chiller has the potential to break into mainstream culture like Jordan Peele's Get Out. Its "juke joint" setting earns comparisons to boozy genre films From Dusk Till Dawn and Demon Knight, but there's also a Tarantino-esque historical anger à la Django Unchained or Inglourious Basterds.

  • 1 week ago | dailydead.com | Matt Donato

    Yûta Shimotsu’s Best Wishes To All (also translated Best Regards to All) covertly starts like many Japanese horror films. A cheerful woman walks towards an ominous home, the camera pans onto a window. You’d expect Kayako to gaze back; it’s so familiar. But The Grudge’s antagonist does not appear, and Best Wishes To All removes its mask. Behind the guise of genre normality is a generational nightmare with bleak societal implications about the sacrifices civilization makes for lifelong happiness.

  • 2 weeks ago | dailydead.com | Matt Donato

    Do you enjoy your date night movies with a side of thrills and drenched in fun-loving ambitions? That's Christopher Landon's romantic thriller Drop, about a dangerously awry first meetup. Meghann Fahy and Brandon Sklenar star in the impromptu assassination plot over dinner, which feels 90s coded in its entertaining abandon. Writers Jillian Jacobs and Chris Roach channel Wes Craven's Red Eye, Eugenio Mira's Grand Piano, and Joel Schumacher's Phone Booth.

  • 2 weeks ago | dailydead.com | Matt Donato

    Ryan J. Sloan's feature debut Gazer is a pensive puzzler that keeps the audience at arm's length. Its traits are grainy visuals, an untrustworthy narrator, and chilly noir vibes on a low frequency. Sloan and co-writer Ariella Mastroianni (who plays the film's time-blind lead) explore a New Jersey mystery that keeps methods low and slow. Gazer's an intimate thriller with a hyper-focused scope, but it's also a lethargic experience by choice.

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