
Matt Glasby
Writer at Freelance
Chief Sub-Editor at Grand Designs Magazine
Writer (Total Film, Radio Times) and author (The Book of Horror, Britpop Cinema). Repped by Sara Langham at David Higham Associates. https://t.co/volfkGwD1w
Articles
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1 week ago |
flicks.co.uk | Luke Buckmaster |Daniel Rutledge |Dominic Corry |Matt Glasby
Nothing stays the same in the zeitgeist: change, as they say, is the only constant. Unless we’re talking about Nicolas Cage going crazy, which never drops out of fashion—an extraordinary human spectacle, as enduring as the pyramids. On this front, The Surfer more than delivers the goods, starring old mate Nic as a well-off businessman engaged in all-out war with a gang of violent hoodlums in Luna Bay, a fictitious Australian coastal town.
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2 weeks ago |
flicks.co.uk | Daniel Rutledge |Dominic Corry |Matt Glasby |Clarisse Loughrey
| Dir: Dan Trachtenberg I’d love to jump in a time machine and fly this movie back to the ‘90s. It’s hard to describe just how much of a beloved cult hit it would have been back in the DVD or VHS eras, not just because of the dream concept, but because it’s so slickly executed. A gloriously violent cartoon, this is not really a Predator sequel, reboot or remake, but rather a hyper-stylised ‘what if?’ spin-off. What if a Predator dropped into Viking-era Scandinavia? What about feudal Japan?
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2 weeks ago |
msn.com | Matt Glasby
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2 weeks ago |
scmp.com | Matt Glasby
This is the latest instalment in a feature series reflecting on instances of East meets West in world cinema, including China-US co-productions. Sometimes an outsider’s perspective can tell you more about a place than you might expect. This is especially true for Hong Kong – a city of endless comings and goings – and the filmmakers who chose it as a location.
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2 weeks ago |
flicks.co.nz | Matt Glasby
Australian cinema has long benefitted from how Aussie ideas of masculinity contrast with the archetypes put forward by the American cinematic tradition. At a glance, speaking superficially and generally, Australian males could be ideally characterised as toughened frontiersman, and not a million miles away from the defining masculine American cinematic archetype: the cowboy.
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