Matt Mulcahey
Contributor at Filmmaker Magazine
Founder, Editor and Lead writer at Deep Fried Movies
Regular Contributor at American Cinematographer
Blogger at Deep Fried Movies & contributor to Filmmaker Magazine + American Cinematographer. Also work as a DIT & in desperate times will strap on my AC belt.
Articles
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6 days ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Conversations with DPs, directors and below-the-line crew by Matt Mulcahey by Matt Mulcahey in Cinematographers, Columns, Interviews on Apr 18, 2025 Daredevil: Born Again, Hillary Fyfe Spera When it comes to the work of cinematographer Hillary Fyfe Spera, you’ll find two consistent elements – 1970s inspirations and Panavision glass.
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1 month ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Michael Fassbender and Steven Soderbergh on the set of Black Bag by Matt Mulcahey in Directors, Features, Interviews, Issues, Screenwriters on Mar 18, 2025 Spring 2025, Steven Soderbergh When Steven Soderbergh was 13 years old, his father enrolled him in an animation class taught by Louisiana State University students. Soderbergh could draw but quickly became bored with the tedious process of bringing those drawings to life.
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2 months ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Conversations with DPs, directors and below-the-line crew by Matt Mulcahey by Matt Mulcahey in Cinematographers, Columns, Interviews on Feb 18, 2025 Jarin Blaschke, nosferatu, Robert Eggers Over the course of his four feature films, Robert Eggers has gained a reputation as a filmmaker obsessed with meticulous period accuracy.
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2 months ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Conversations with DPs, directors and below-the-line crew by Matt Mulcahey by Matt Mulcahey in Cinematographers, Columns, Interviews on Feb 11, 2025 Brady Corbet, Lol Crawley, The Brutalist In The Brutalist, a creatively uncompromising Hungarian-Jewish architect (Adrien Brody) immigrates to Pennsylvania after World War II and struggles to complete an ambitious project financed by a wealthy industrialist (Guy Pearce).
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Jan 22, 2025 |
filmmakermagazine.com | Matt Mulcahey
Click here to read our winter 2025 issue, featuring Nickel Boys's RaMell Ross, profiles of six below-the-line awards season contenders and more... Back to selection O'Shea Jackson Jr. in Den of Thieves 2: Pantera by Matt Mulcahey in Cinematographers, Columns, Interviews on Jan 22, 2025 Den of Thieves 2: Pantera, Terry Stacey The original Den of Thieves was all about the thin line separating insular tribes of cops and robbers in Los Angeles.
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New frames for my archive...Den of Thieves (2018). Tightly-knit clans of cops and robbers face off when the latter attempts to take down the Federal Reserve. Set in L.A., but shot largely in Atlanta on Arri Alexa Minis with Arri Zeiss Master Primes. https://t.co/2QejfJiNQF
New frames for the archive - the cursed chain horror film Smile (2022). Shot on the Alexa 65 with Prime DNA lenses by Charlie Sarroff. Originally intended as a Paramount Plus streaming debut, an enthusiastic test screening helped change the studio's mind. https://t.co/0TzxRiBiQ8 https://t.co/TuThx9Y09y
New frames for the collection - 2019's Saint Maud. The feature debut of director Rose Glass and DP Ben Fordesman, who reteamed on this year's Love Lies Bleeding. Shot on the Alexa Mini with Canon K35 lenses. https://t.co/Z93HaAMFQY https://t.co/Ptnow8orCF