Matt Mulcahey
Contributor at Filmmaker Magazine
Founder, Editor and Lead writer at Deep Fried Movies
Regular Contributor at American Cinematographer
Blogger at Deep Fried Movies & contributor to Filmmaker Magazine + American Cinematographer. Also work as a DIT & in desperate times will strap on my AC belt.
Articles
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1 week ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Conversations with DPs, directors and below-the-line crew by Matt Mulcahey Billy Barratt in Bring Her Back by Matt Mulcahey in Cinematographers, Columns, Interviews on May 30, 2025 Aaron McLisky, Bring Her Back, Danny Philippou, Mark Philippou [Spoilers follow]In A24’s Bring Her Back, a grieving mother (Sally Hawkins) takes a pair of orphaned siblings into her secluded home, with designs of using them in a supernatural ritual of resurrection.
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2 weeks ago |
filmmakermagazine.com | Matt Mulcahey
Click here to read our spring 2025 issue, featuring Caught by the Tides' Jia Zhangke and Zhao Tao, our annual spotlight on locations and more... Back to selection Andrew Droz Palermo (left) on the set of Thunderbolts* by Matt Mulcahey in Cinematographers, Columns, Interviews on May 22, 2025 Andrew Droz Palermo, Thunderbolts* In the latest Marvel Cinematic Universe entry Thunderbolts*, a reluctant squad of antiheroes team up to save New York City.
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1 month ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Conversations with DPs, directors and below-the-line crew by Matt Mulcahey by Matt Mulcahey in Cinematographers, Columns, Interviews on Apr 18, 2025 Daredevil: Born Again, Hillary Fyfe Spera When it comes to the work of cinematographer Hillary Fyfe Spera, you’ll find two consistent elements – 1970s inspirations and Panavision glass.
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2 months ago |
filmmakermagazine.com | Matt Mulcahey
Back to selection Michael Fassbender and Steven Soderbergh on the set of Black Bag by Matt Mulcahey in Directors, Features, Interviews, Issues, Screenwriters on Mar 18, 2025 Spring 2025, Steven Soderbergh When Steven Soderbergh was 13 years old, his father enrolled him in an animation class taught by Louisiana State University students. Soderbergh could draw but quickly became bored with the tedious process of bringing those drawings to life.
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Feb 18, 2025 |
filmmakermagazine.com | Matt Mulcahey
Back to selection Conversations with DPs, directors and below-the-line crew by Matt Mulcahey by Matt Mulcahey in Cinematographers, Columns, Interviews on Feb 18, 2025 Jarin Blaschke, nosferatu, Robert Eggers Over the course of his four feature films, Robert Eggers has gained a reputation as a filmmaker obsessed with meticulous period accuracy.
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New for @Filmmakermag: Thunderbolts DP Andrew Droz Palermo on shooting Florence Pugh’s plunge from a 2,000 foot Malaysian skyscraper and why practical driving sequences are a hill he’s willing to die on. Shot on Alexa 35 w/ Panavision Ultra Panatar II's. https://t.co/n9nu9kBtBS
New frames for my archive...Den of Thieves (2018). Tightly-knit clans of cops and robbers face off when the latter attempts to take down the Federal Reserve. Set in L.A., but shot largely in Atlanta on Arri Alexa Minis with Arri Zeiss Master Primes. https://t.co/2QejfJiNQF
New frames for the archive - the cursed chain horror film Smile (2022). Shot on the Alexa 65 with Prime DNA lenses by Charlie Sarroff. Originally intended as a Paramount Plus streaming debut, an enthusiastic test screening helped change the studio's mind. https://t.co/0TzxRiBiQ8 https://t.co/TuThx9Y09y