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Matthew Gurewitsch

Kīhei

Journalist at AIR MAIL

Articles

  • 1 week ago | airmail.news | Matthew Gurewitsch

    The pianist Hunter Noack, 36, is taking the road less traveled by, and that makes all the difference. As the founder and star attraction of “In a Landscape: Classical Music in the Wild,” inaugurated in 2016, Noack will be concertizing from May to September in Pacific Northwest and West Coast wildernesses, where weather can whiplash in a heartbeat. Fortunately, as a native Oregonian, he’s an outdoorsman for all seasons.

  • 2 weeks ago | airmail.news | Matthew Gurewitsch

    Who lives, who dies, who tells your story? In 1942, the insurance executive Emil Freund of Prague perished miserably in the Polish ghetto of Łódź, sent there to die by the Nazis. Jump cut to 2001, when an unsuspecting Viet Nam vet named Gerald McDonald, living in Lyons, Illinois, and raised Lutheran, learns that he is the rightful heir to the modern art collection of a Jewish great-great-uncle.

  • 2 weeks ago | airmail.news | Matthew Gurewitsch

    In Richard Strauss’s 90-minute opera, Salome bursts onstage straight from the pages of Psychopathia Sexualis, causes no end of mischief, and goes out in necrophiliac ecstasies over the severed head of John the Baptist. It’s a killer role, but as Elza van den Heever established two seasons ago in a brutalist production by Lydia Steier for the Paris Opéra, neither the music nor the drama holds any terrors for her.

  • 1 month ago | airmail.news | Matthew Gurewitsch

    All things considered, England’s songwriter, singer, playwright, actor, and director Noël Coward had every reason to purr at the reception of his feather-light backstage comedy Present Laughter. The 1942 premiere, which Coward starred in as well as directed, proved boffo box office, and no wonder. As the 40-year-old matinee idol Garry Essendine—anagram of “neediness”—he was more or less playing himself.

  • 2 months ago | airmail.news | Matthew Gurewitsch

    “Hi-Yo, Silver! For generations of juvenile TV fans since 1949, the “William Tell Overture” was synonymous with The Lone Ranger, all 221 episodes of it. In fact, the series’ hard-charging theme music—officially “The March of the Swiss Soldiers”—is just the finale of Gioachino Rossini’s four-movement pops classic.

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