
Articles
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3 weeks ago |
orartswatch.org | Matthew Neil Andrews
Summer is just about here, dear reader, and that means it’s music festival time. Starting this month we have the usual big ones: Chamber Music Northwest in Portland; Oregon Bach Festival in Eugene; and Britt Music & Arts Festival in Jacksonville. We also have two of the smaller ones: the one-day contemporary music festival Makrokosmos Project, now in its eleventh season, and In A Landscape, which is not so much a festival as it is a summer-long roving musical adventure.
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3 weeks ago |
orartswatch.org | Matthew Neil Andrews
If you’ve been in Portland long enough, you’ve probably heard of Turkish Rambo. It’s weird enough that there is such a thing as “Turkish Rambo,” aka Korkusuz, which is exactly what you think it is (a 1986 Turkish remake of Rambo: First Blood Part II). What elevates the matter to Portland levels of Weird is that a decade or so back, a gonzo little DIY group called Filmusik, headed by Galen Huckins, organized a live version and asked local composer Justin Ralls to score it.
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3 weeks ago |
orartswatch.org | Matthew Neil Andrews
Caveat lector: We join our story already in progress. You can read more about the history of this project, from its inception through its 2022 premiere with Portland Chamber Orchestra, with Brett Campbell’s detailed preview and Angela Allen’s enthusiastic review. You can also read Friderike Heuer’s report on the art exhibition at The Reser–that instutition’s inaugural gallery show–right here.
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1 month ago |
orartswatch.org | Matthew Neil Andrews
Well, my friends, the time has come at last: Fear No Music’s season of all Oregon composers is finally drawing to a close.
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1 month ago |
orartswatch.org | Matthew Neil Andrews
Speaking on the ever-important subject of collaboration, Lou Harrison–one of several contenders for the “Greatest American Composer of All Time” title–once said, with characteristic cheek, “Cooperative composition is fun, if the rules are set up and nobody cheats.” He was speaking specifically about his 1972 collaboration with violinist and longtime friend Richard Dee, a companion piece to Lou’s larger La Koro Sutro (“The Heart Sutra,” in Esperanto).
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