Max L. Feldman

Jan 20, 2025 | studiointernational.com | Max L. Feldman

With 15 paintings and five works on paper, this show takes on a journey spanning 20 years of Schutz’s fantastical, often grotesque, figures Dana Schutz: The Island, installation view, The George Economou Collection, Athens, 16 June, 2024 - March 2025. Photo: Natalia Tsoukala.

Nov 1, 2024 | spectator.co.uk | Max L. Feldman

Despite its prestige, Vienna can seem parochial. This is as true today as it was during its turn-of-the-century golden age, when it incubated a generous welfare state – that is still with us – and all those Austro-Hungarian Empire weirdos: glowering hypnotist astrologers in full metal evening dress, hysterical socialites howling at the help from threadbare chaises-longues, fiendish necromancers summoning racial purity in front of frothing cauldrons of goulash.

May 28, 2024 | frieze.com | Max L. Feldman

Kandis Williams’s ‘Notes on Dance’ is less about what dance is than about what choreography shares with artmaking and systems of political oppression: the organizing of bodies in space. Williams thus invokes an analogy between dancers’ regimented bodies and other modes of physical discipline and control, such as prison routines and military drills.

Mar 3, 2024 | frieze.com | Max L. Feldman

In 1968, Danish artist and activist Palle Nielsen turned Stockholm’s Moderna Museet into a space solely for children to play in. They could swing on tyres, clamber over wooden frames, participate in arts and crafts or join in with music sessions. Nielsen’s aim for his project, titled ‘The Model – A Model for a Qualitative Society’, was to explore how children’s creative play might inspire a more harmonious society, based on communication rather than competition.

Nov 15, 2023 | artreview.com | Max L. Feldman

Endlessly Inside at Broumov Monastery presents 60 often achingly meticulous works by Guernsey-born concrete-poetry pioneerEndlessly Inside, the second exhibition in the ‘Ora et Lege’ (‘Pray and Read’) series of exhibitions at the Baroque Broumov Monastery on the Czech-Polish border, presents 60 often achingly meticulous works by Guernsey-born concrete-poetry pioneer Dom Sylvester Houédard, known as ‘dsh’ or ‘dom’.