
Maxance Vincent
Contributor and Critic at Freelance
Freelance film/TV journalist. LONG LIVE GENRE CINEMA! member: @CriticsChoice, @IFSCritics, OFTA opinions are always my own. RTs ≠ endorsement
Articles
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2 days ago |
awardsradar.com | Maxance Vincent
Less a narrative feature than an impressionistic work of art, Jia Zhangke distills the past twenty years of his life through the perspective of Qiaoqiao (Zhao Tao) in his latest film, Caught by the Tides. The only “newly” shot portion for the movie occurs during its final half, set in 2022 during the COVID-19 pandemic, as Qiaoqiao reunites with her former lover, Bin (Li Zhubin), for the first time since their separation.
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2 days ago |
awardsradar.com | Maxance Vincent
One of the main differences between Daredevil: Born Again and the original series on Netflix is in its decision to move away from Hell’s Kitchen to the greater city of New York, as Matt Murdock rebuilds his life following the death of his best friend and legal partner, Foggy Nelson, at the beginning of the first episode.
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3 days ago |
awardsradar.com | Maxance Vincent
After Tales of the Jedi and Tales of the Empire, one would think that the pocket of stories in this side of the Star Wars universe would be pretty much exhausted, though one also understands that the possibilities of filling in the gaps on specific characters of this ever-expansive universe are endless.
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3 days ago |
awardsradar.com | Maxance Vincent
Season two of The Lord of the Rings: The Rings of Power is much darker than the first season, which built the foundation of what Middle-earth would look like in Prime Video’s television series. Naturally, in adapting to the storytelling changes of the series, the visual language also has to evolve. This was one of cinematographer Alex Disenhof‘s primary tasks in developing how this season would aesthetically differentiate from the last one, as he explains below, in an interview with Awards Radar.
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4 days ago |
awardsradar.com | Maxance Vincent
It looks like the marketing gimmick for Thunderbolts* has worked in its favor, as the movie is holding pretty well after Marvel Studios renamed it The New Avengers in the wake of its title reveal during the end credits. Some cinema chains even went ahead and renamed the film this way, even though Disney still refers to it as Thunderbolts*. In any event, we can say that this could pave the way for Marvel’s return as the undefeated kings of the box office after a few missteps and critical duds.
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