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  • 1 month ago | dailyartmagazine.com | Zuzanna Stanska |Errika Gerakiti |Javier Miguel |Maya Tola

    History min Read European Art European Art European Art Henry VIII was the King of England who is best known for having six wives and, in particular, killing some of them. He was also famous for doing anything to get what he wanted.

  • 2 months ago | dailyartmagazine.com | Anna Ingram |Javier Miguel |Maya Tola

    Baroque From Ancient Rome to the Renaissance and Rococo, the timeless appeal of the Apollo and Daphne myth spans centuries of artistic expression. The myth of Apollo and Daphne is one of the most enduring tales from Greek mythology. It has been depicted in various famous works, symbolizing themes of unrequited love, transformation, and the tension between human desire and divine will.

  • Jan 16, 2025 | dailyartmagazine.com | Maya Tola |Joanna Kaszubowska

    The churning of the ocean of milk is a momentous event in Hindu mythology that appears in the Bhagwat Purana, Vishnu Purana, and the Mahabharata. It is the story of the Devas (the Gods) obtaining the ultimate prize of immortality by consuming Amrit, the elixir of immortality. This event features prominently in Hindu iconography. Curse of Sage DurvasaThe legend begins with Indra, an ancient Deva renowned as the King of the heavens, and the God of rain and thunder.

  • Jan 12, 2025 | dailyartmagazine.com | Javier Miguel |Maya Tola |Ania Kaczynska

    Baroque European Art European Art Nature is ever-present in Pieter Bruegel the Elder’s work. As seasons change, the painter captures nature’s subtle details. Among them, winter holds a special place. Bruegel’s paintings not only capture the season’s essence but also establish a tradition of winter landscapes that flourished in 17th-century Holland.

  • Dec 4, 2024 | dailyartmagazine.com | Nadine Waldmann |Bec Brownstone |Valeria Kumekina |Maya Tola

    Sculpture min Read Contemporary Art Animals Contemporary Art Kintsugi (金継ぎ translates as “gold joinery”) is a Japanese art form and philosophy of repairing broken or cracked pottery with gold or silver-colored lacquer. Unlike normal methods of repair, the “damage” is not camouflaged or hidden but is highlighted, revealed, and emphasized. Much like the Japanese philosophy of wabi-sabi, this art form sees potency in embracing flaws and imperfections.

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