Megan Robinson

3 weeks ago | artandobject.com | Megan Robinson

Appah, Gideon, Boy with a Bird, 2023, acrylic and oil on canvas, 200 cm × 150 cm (78-3/4" × 59-1/16"), No. 90237 Appah started drawing as a child, using the charcoal his grandmother cooked with. He received his BFA in 2012 from The Kwame Nkrumah University of Science and Technology and has work in major museums and galleries around the world— with a solo-exhibition, Beyond the Shadows: Gideon Appah Poetic Vision, opening June 12th at Gallery 1957 in Paris.

1 month ago | artandobject.com | Megan Robinson

Installation view, Acaye Kerunen: Neena, aan uthii, 15 January – 22 February 2025, Pace Gallery, London.   Kerunen’s beautifully designed textile installation pieces–created from components meticulously crafted by community weavers, who are mostly women and artisans–center art making and environmental connection, while subverting and deconstructing attitudes about fine art versus craft, colonialism, racism, and sexism.

1 month ago | artandobject.com | Megan Robinson

Antebellum Pink, 2024, Fabric and Industrial Wool, 14 H x 38 W x 38 D in., 36 H x 95 W x 95 D cm. Combining discarded housewares and industrial waste such as coffee mugs, CDs, steel pipes, and spandex in unusual and unlikely ways, Celeste investigates the connections between humans and the environment. She draws visual parallels between vertebrae and coffee cups, sea shells and spandex, creating compelling new realities that seem strangely new and familiar.

1 month ago | artandobject.com | Megan Robinson

Photo of Fabiola Jean-Louis Megan D Robinson: You have become known for your haute couture sculptural creations. What drew you to work with fashion as a medium? Fabiola Jean-Louise: Fashion, to me, is a language—one that communicates without words, carrying with it the power to exalt, to conceal, to declare. I was drawn to it not simply as adornment, but as a vessel of historical memory and resistance.

2 months ago | artandobject.com | Megan Robinson

Photo of Jim Shrosbree Shrosbree has exhibited nationally and internationally, with work in many major museums and galleries. He is also an author, and a professor at Maharishi International University. Art & Object sat down with Shrosbree to talk about the evolution of his artistic process. Megan D Robinson: When we last spoke, you’d just received a Guggenheim Fellowship. How has your work evolved since then? JS: That's a big question.