
Michael Seaver
Dance Critic and Contributor at Irish Times
Freelance Journalist at Freelance
Musician @rte_co and dance critic @IrishTimesCultr. Academic pats on the head in music, politics and IR. Terms and conditions apply.
Articles
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1 month ago |
irishtimes.com | Michael Seaver
Begin AnywhereSpace Upstairs, Project Arts Centre, Dublin★★★★☆Since Merce Cunningham’s death, in 2009, the choreographer’s trust has allowed other dance companies to license performances of his work, but under strict conditions and usually under the watchful scrutiny of one of his former dancers.
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1 month ago |
irishtimes.com | Michael Seaver
Building community through dance has been a constant goal for Tara Brandel. The choreographer lives in Ballydehob, in west Co Cork, and her dances are rooted in the area and have grown around the people who inhabit it. In a more global sense, she believes that communities are the answer to climate change, the fundamental existential problem facing society today. She is not alone in these views. Many environmental scientists agree.
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2 months ago |
irishtimes.com | Michael Seaver
Close collaborators in the past, the composer Mel Mercier and the choreographer John Scott have parted ways for their latest project, Begin Anywhere. Not because of any disagreement, but because they are honouring their personal and artistic connections with John Cage and Merce Cunningham. The late American pair famously worked independently when collaborating: composer Cage and choreographer Cunningham did not discuss their artistic ideas before or during the act of creation.
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Sep 14, 2024 |
irishtimes.com | Michael Seaver
Hyperphysical: A Double BillLir Academy, Dublin★★★★★Endurance-based dances can be one dimensional: dancers pushed to physical limits while audiences marvel at their stamina and applaud the sweat. Often the underlying aesthetics involve dehumanising the body and presenting dancers as abstract physical objects whirring around the stage. The Future Is on the Way, by the New York choreographer Abby Zbikowski, is fascinatingly different. Punishingly relentless in its physicality, it spurns abstraction.
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Aug 24, 2024 |
irishtimes.com | Michael Seaver
She normally conducts interviews dressed in workout gear and sitting on a dance-studio floor. But this time Liz Roche is dressed more formally, seated in a hotel lobby. The choreographer is now the director of Ireland’s new national dance company; the era of donning her studio gear feels distant. The company, called Luail, had a soft launch in May, and now Roche is in the midst of putting together an administrative team and finalising a core group of dancers.
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RT @thejournal_ie: Opinion: The reaction to Raygun is a shame, breaking is about community and originality https://t.co/rwqMoenU3L

RT @DanielHussey2: Some great finishes outside our medals: 4th - Women’s 4x400m (Relay) 4th - Rhasidat Adeleke (400m) 4th - Dickson/Waddil…

A wonderful set of performances and installations by Dylan Quinn Dance in Swanlinbar. https://t.co/IM3ZnBlfrt