
Michelle Falkenstein
Articles
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Oct 18, 2024 |
timesunion.com | Michelle Falkenstein
The tree-covered hills surrounding the hamlet of Wassaic were tinged with yellow and orange on a recent sunny Saturday afternoon. They made for an inspiring view from the window of artist Eve Biddle’s studio at the Wassaic Project, a nonprofit arts organization that offers artist residencies, exhibition space and arts programming.
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Oct 9, 2024 |
artswestchester.org | Michelle Falkenstein
On entering the light-filled west wing of the Hudson River Museum (HRM), visitors will find dozens of white shirts hanging upside-down from the ceiling, their arms pointing at the floor. Shroud, an installation by artist Rachel Breen, is a memorial to the garment workers who died in the Triangle Shirtwaist Factory fire of 1911 and the Rana Plaza factory collapse in Dhaka, Bangladesh in 2013. Breen purchased the shirts by the pound from Goodwill, a poignant reminder of our disposable culture.
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Jun 28, 2024 |
artswestchester.org | Michelle Falkenstein
American composer Aaron Copland wrote “Fanfare for the Common Man” in 1942 when the U.S. entered World War II, its title inspired by a speech given by Vice President Henry A. Wallace. The vice president had predicted that the world would see a dawning of the “Century of the Common Man” after the war. Copland himself was, by all accounts, simple, unpretentious and modest, if not common.
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Apr 16, 2024 |
artswestchester.org | Michelle Falkenstein
Phylisha Villanueva says she wasn’t much of a reader as a child, until stresses in her family life led her to books. “I didn’t want to be in the house after school, so I joined a book club,” she says. Villanueva credits Bronx Masquerade by Nikki Grimes, in which teens tell their stories using poetry, with making her into a writer. “My first poem was about being mad at my mom because she wouldn’t let me go to a school dance,” Villanueva says.
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Mar 20, 2024 |
timesunion.com | Michelle Falkenstein
Composer and percussionist Sarah Hennies is having a moment. Last fall she received an email informing her that her composition “Motor Tapes” had been selected for the 81st Whitney Museum of American Art Biennial, the longest-running survey of American art.
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