
Millen Brown-Ewens
Press Officer @OMaraBooks 📚| Art & culture writer @artsy @Elephantmag @wallpapermag @AnOtherMagazine @shindigmagazine
Articles
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2 weeks ago |
worldofinteriors.com | Millen Brown-Ewens
Lining the walls at the Alison Jacques gallery in London is a motley crew of characters created by Bona de Mandiargues. The Mime (1981), The Detective (1990) and The Mountain Woman (1991) are all similarly Frankenstein-esque in their assemblage. The Italian artist called these textile figures ragarts, and they are composed from the dismantled linings of worn suit jackets.
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3 weeks ago |
artsy.net | Millen Brown-Ewens
For the London art world, it’s been a turbulent few years. From the impact of Brexit, to the economic uncertainty of tariffs in the last few months, there have been myriad challenges. Nonetheless, smaller spaces are increasingly emerging as engines of innovation and experimentation (as shown in Artsy’s 2025 Art Market Trends report). Nowhere is this more evident than at London Gallery Weekend 2025, where the city’s creative dynamism is on full display.
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1 month ago |
theartnewspaper.com | Millen Brown-Ewens
Provocative, punky and perverse are just a handful of the adjectives often used to describe the work of Helen Chadwick (1953-96). Yet they only hint at the depth of the British artist’s vision. Chadwick was an artist of rare material and emotional literacy and her influence on the language of contemporary British art remains palpable. Chadwick was widely exhibited during her lifetime, but attention to her work declined following her unexpected death in 1996.
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Jan 30, 2025 |
artsy.net | Millen Brown-Ewens
“Marrakech is one of these places where you don’t have to look for inspiration. It’s always there, it always reaches you,” said Mous Lamrabat in an interview with Artsy. The Moroccan-born, Belgian-raised photographer is known for his sleek, fashion-inspired photographs that channel Morocco’s rich cultural tapestry into iconic visual narratives.
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Nov 15, 2024 |
artsy.net | Millen Brown-Ewens
When Kenia Almaraz Murillo first arrived in Paris in 2005 at age 11, it was late December and the City of Light beamed through a soft blanket of snow. It’s a memory that the Bolivian artist recalls with fondness. “I had never seen snow before and was completely in awe. It felt so far from home,” she told Artsy as she prepared for her current exhibition at Waddington Custot in London.
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