Mimi Wong

1 month ago | theoffingmag.com | Mimi Wong

Alejandro Heredia is the author of Loca. His Insight essay “White Girls Were (not) Us” was published in The Offing on January 26, 2023. Editor-in-Chief Mimi Wong conducted the Q&A. The interview has been condensed and edited for clarity. Donate to The Offing! Our Patreon supporters received exclusive access to the video interview with The Offing contributor Alejandro Heredia. The Offing pays our contributors, and we appreciate the help of all of our supporters in sustaining our work.

1 month ago | artsy.net | Mimi Wong

There was a time, not so long ago, when it was not unusual to wonder where all the Asian American artists were. This curiosity led Kathy Huang to curate a group exhibition for gallery Jeffrey Deitch, where she’s managing director. Initially, she worried that finding 30 artists would be too big a task. She was wrong. The exhibition opened in May 2022 in New York, before traveling to Los Angeles.

Jan 21, 2025 | timeout.com | Mimi Wong |Melissa Woodley

Photograph: Ben CalvertPhotograph: Ben CalvertLeave it up to our nation’s capital to bring you top-notch Chinese fare at its most treasured eateriesWednesday 22 January 2025FacebookTwitterPinterestEmailWhatsAppContributor: Melissa WoodleyAdvertisingFinally settled on Chinese? Now, it's time to decide how fancy you want to get. Luckily, Canberra houses a full spectrum of Chinese restaurants to cover every craving and budget.

Nov 15, 2024 | theoffingmag.com | Ashaki M. Jackson |Kosiso Ugwueze |Mimi Wong |Kennedy Marie Crowder

Ariana Benson is a southern Black ecopoet and the author of the Cave Canem Poetry Prize and Lenore Marshall Poetry Prize collection BLACK PASTORAL (University of Georgia Press, 2023). Back of the Envelope Assistant Editor Kennedy Marie Crowder conducted the Q&A. This interview has been edited for clarity. Donate to The Offing! Our Patreon supporters received early access to this Q&A with Sarah Ghazal Ali, as well as exclusive access to her list of favorite ghazals.

Nov 12, 2024 | aperture.org | Mimi Wong

For a period of about three years during his mid-twenties, Sohrab Hura strived to be what he called an anti-photographer. Doubt had begun seeping into his work. In particular, he felt conflicted about the ways in which documentary photography generates images from other people’s oppression. Regarding his own role, he quotes Arundhati Roy, who writes: “The trouble is that once you see it, you can’t unsee it.