Natalia Jarczynska

Contributor at BroadwayWorld

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Previews: FRENCH OPEN at Wroclaw Mime Theatre

1 week ago | broadwayworld.com | Natalia Jarczynska

Mark your calendars for a groundbreaking event that blends the worlds of sports and theatre like never before! Join us for the theatrical recreation of the exhilarating semifinal match between Iga Świątek and Naomi Osaka at the 2024 Roland-Garros. This isn’t just any match; it’s a story of determination, resilience, and the sheer will to win!Imagine this: Iga Świątek, the absolute star of tennis, battling against the odds, coming back from a seemingly impossible situation.
Review: SIX at Krakowski Teatr Variete

1 week ago | broadwayworld.com | Natalia Jarczynska

From the moment the curtain rises on SIX, you're swept into a whirlwind of energy and excitement that hits you like a summer storm. This musical is a bold, colorful celebration of womanhood—and it’s impossible not to feel the sister power radiating from the stage. Directed by the visionary Katarzyna Chlebny, this production not only meets the licensing requirement of being directed by a woman, but it thrives under her leadership. Six wives, six stories, one husband, and a limitless power.
Previews: 76TH DUBROVNIK SUMMER FESTIVAL: A CELEBRATION OF WOMEN AND ART at Dubrovnik

3 weeks ago | broadwayworld.com | Natalia Jarczynska

As the sun sets over the stunning city of Dubrovnik, the air will soon be filled with the sounds of creativity and inspiration during the 76th Dubrovnik Summer Festival, running from July 10th to August 25th, 2025. This year, the festival embraces a theme that resonates deeply—women.
Review: THE SKIN OF THE SNAKE at National Theatre In Warsaw

1 month ago | broadwayworld.com | Natalia Jarczynska

After a marathon of musical performances, I thought Iâ€™d take a breather at the dramatic theatre, hoping for a quiet evening. But lo and behold, I found myself swept away in a whirlwind of emotion and songâ€”who would have thought? Let me start by saying that Beata Fudalej as Ruth Berlau is nothing short of mesmerizing. She's like a spellbinding sorceress on stage, and I found it impossible to tear my eyes away from her.
Review: JESUS CHRIST SUPERSTAR at The Kujawsko-Pomorski Music Theatre, Torun

1 month ago | broadwayworld.com | Natalia Jarczynska

As I sit on the train back from ToruÅ„, I'm still under the charm of a production that makes you not only listen to its music but crave for more. more reasons to dance in the theatre,and more surprises, interactions, and coherent visionsâ€”because as they proved, itâ€™s absolutely possible!Let me start from the top. You enter the club, leave your coat, and receive a headset with three simple buttonsâ€”on/off, channel, and volume. Excitement builds as you descend the stairs into the playâ€™s venue.
Review: MONIKA RADECKA IN MADAME BUTTERFLY at Opera Wroclaw

1 month ago | broadwayworld.com | Natalia Jarczynska

Monika Radecka just landed on the Wrocław opera scene — and it was a landing. Her debut as Cio-Cio-San in Madame Butterfly at Opera Wrocławska wasn’t just promising — it was powerful. At only 26, she brings a rare mix of vocal maturity and emotional clarity. There’s depth in her voice, steel in her spine, and a flame of passion that burns through every phrase. Her presence on stage? Undeniable. She doesn’t just play a role — she lives it, breathes it, becomes it.
Review: PRIVATE TINA at 45th Stage Song Review

2 months ago | broadwayworld.com | Natalia Jarczynska

If you haven’t yet experienced the magic of Natalia Sikora, let me tell you—you’re missing out on something truly extraordinary. This phenomenal artist, who first captured the hearts of Wrocław two decades ago as the youngest winner of the Stage Song Review (Przegląd Piosenki Aktorskiej), has evolved into a fearless and uncompromising force in the music scene.
Review: SONGS PAINTED NOW at 45th Stage Song Review

2 months ago | broadwayworld.com | Natalia Jarczynska

It wasn’t just a performance. It was a collision of worlds—music, painting, and raw human expression, all unfolding in real-time, feeding off each other, shaping and reshaping before our eyes. Five singers, five musicians, five visual artists. Just the moment. Just art in its purest, most electric form. But don’t be mistaken—this was no random improvisation. The precision, the control, the way each vocal interpretation felt like a carefully crafted masterpiece—it was all by design.
Interview: Konrad Imiela About Musical Theatres in Poland and Wroclaw

2 months ago | broadwayworld.com | Natalia Jarczynska

Spring is just around the corner, bringing a sense of renewal and fresh perspectives. I decided to check in on the pulse of Wrocław’s theatrical scene. And what better place to do so than at Capitol Theatre? Konrad Imiela, its long-time director and a defining figure of the venue, sat down with me to talk about the magic of theatre, what makes Wrocław’s stage unique, and what shaped his musical opinions.
Review: WAITING FOR THE BARBARIANS at Teatr Wspolczesny Wroclaw

Feb 28, 2025 | broadwayworld.com | Natalia Jarczynska

It’s not a musical, per se, but music breathes through it, shaping the atmosphere, cutting through the silence, and seeping into every moment like an invisible pulse. And that brings me to the key player: Michał Litwiniec. He’s not just composing the soundscape; he is the soundscape. Positioned within the set, half-seen, half-heard, like some enigmatic figure lurking in the woods, his presence alone could tell the story.