
Articles
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1 month ago |
untappedjournal.com | Kriston Capps |Natalia Rachlin
For the tallest tower in Midtown Manhattan, One Vanderbilt, the firm Kohn Pedersen Fox clad the building in alternating panels of glass and aluminum, along with thousands of scalloped, champagne-colored terra-cotta spandrels to catch the light. Disney’s Hudson Square headquarters, by SOM, employs a matte emerald façade with double- and triple-columned terra-cotta pilasters, a conspicuous signal of corporate sophistication.
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Nov 28, 2024 |
nytimes.com | Natalia Rachlin
Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we're eating, wearing, listening to or coveting now. Sign up here to find us in your inbox every Wednesday, along with monthly travel and beauty guides, and the latest stories from our print issues.And you can always reach us at [email protected]. Image The Danish brand Vipp was founded in 1939 with a single design: a waste bin.
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Apr 19, 2024 |
ad-italia.it | Natalia Rachlin |Elizabeth Fazzare
Edifici in legno, 15 esempi straordinari. Il legno è uno dei primi materiali da costruzione che sono stati usati dall’uomo e resta uno dei più versatili.
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Apr 16, 2024 |
architecturaldigest.in | Natalia Rachlin |Elizabeth Fazzare
Wood is one of the world’s earliest building materials and remains one of its most versatile. Wood, timber beams, columns, and planks have been used to construct projects that range hugely, from a Japanese museum with a deceivingly simple interlocking grid structure to an undulating concert hall in Norway whose form creates ideal acoustic conditions for the performing arts.
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Apr 7, 2024 |
untappedjournal.com | Francesca Perry |Natalia Rachlin |Edwin Heathcote
“Time is a space in which change happens.” That’s how physicists, I recently heard poet Jane Hirshfield say, have defined the term to her. I found the description unexpectedly affecting: It conjures up the notion of buildings as containers for life, places for possibility that can be set into motion by the human mind and hand. It also suggests that space—be it a room, a building, or any open expanse—holds invisible truths that are there to see if we only look, or look differently.
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