Natalie Marlin
Film and Music Writer at Freelance
I have the oldest Xbox known to man // author: NOISE MUSIC (forthcoming) // words at @pastemagazine @floodmagazine @BWDR @stereogum // Takashi Miike fangirl
Articles
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1 month ago |
brightwalldarkroom.com | Natalie Marlin
All my friends were jumping off the cliff, so I did too. The quarry ledge somewhere deep in suburban Pennsylvania dropped 30, maybe 40 feet straight down into a pool of water beneath. Our nerves were building, the precarious view staring us dead in the eyes any time our glance cast down. But as soon as one of us—my then-boyfriend—jumped without warning and landed without harm, it burst the dam of reservations the rest of us had.
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1 month ago |
pastemagazine.com | Natalie Marlin
Listen to this article Your browser does not support the audio element. WHEN YOU THINK ABOUT DOCUMENTING a moment in time, what does that mean to you? Is it about the audiovisual reminders of the context—the snap of a picture, the brief filming of a video, an audio recording that captures the ambience of your surroundings or the voice of a person you know? Is it a way to recall the specific sense memories you wanted to hold onto in that moment?
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Mar 31, 2025 |
stereogum.com | Natalie Marlin |Natalies NotInIt
From their very beginnings, Death Grips always sounded like a group far-flung from some alternate future, even when their touchpoints were rooted in a firm past. Though most of their early work was built off samples of rock and pop icons like Pink Floyd, Bad Brains, Nancy Sinatra, and Link Wray, the way they warped and inverted the samples into noisy infernos felt like an alien production language of their own.
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Jan 29, 2025 |
floodmagazine.com | Natalie Marlin
Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohr’s voice and the tangible weariness of her minimal use of guitar and synth. Kathryn MohrWaiting RoomTHE FLENSERKathryn Mohr’s songs sound as if she’s singing them as the last person on the Earth. There’s an eerie sparseness to the Oakland-based songwriter’s work, often only composed of as few instrumental tracks as possible, always vacant of any percussion.
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Nov 12, 2024 |
floodmagazine.com | Natalie Marlin
Within the overwhelming force and unfathomable cosmic horrors of the metal duo’s latest LP rests a remarkable emotional complexity, proving the band wields as much pathos as they do pain. The BodyThe Crying Out of ThingsTHRILL JOCKEYHow much do you need to understand something to truly feel it? The Body is one of the most prolific working bands actively researching that question.
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Anyone ever heard of this one? (Thought I didn't have more than basic admiration of the tight scope before everything became Star Wars: The Monolithic Entity Strikes Back, but we had a LOT to say about the time + place it came and changed the game. Star Wars=New New Hollywood?)
𝐵𝑜𝑟𝑖𝑛𝑔 𝑐𝑜𝑛𝑣𝑒𝑟𝑠𝑎𝑡𝑖𝑜𝑛, 𝑎𝑛𝑦𝑤𝑎𝑦. Not here, though, 'cause we’ve got @goodhunterabbie and @NataliesNotInIt in the cockpit dishing out takes and trivia alike on STAR WARS (1977)! Some say it's the best STAR WARS discussion on the internet. (links in 🧵) https://t.co/eIAeNM4x2J
RT @nintendufus: You can kinda see this episode take shape in real time. From “where do you even start?” to a fairly strident examination…
RT @goodhunterabbie: The Trylove crew are saints for letting me get this out of my system after watching the movie for the first time in si…
