Articles

  • 2 days ago | thestage.co.uk | Natasha Tripney

    Carolina Bianchi: ‘To talk about masculinity is to touch on very dangerous zones’Carolina Bianchi. Photo: Alexandre Quentin courtesy by Festival dAvignonChapter one of Brazilian theatremaker Carolina Bianchi’s Cadela Força trilogy on male violence provoked much debate since its debut in 2023.

  • 1 week ago | thebookseller.com | Natasha Tripney

    F Scott Fitzgerald’s 1925 novel The Great Gatsby, his seminal exploration of the allure of wealth and the American dream, decadence and excess, ascent and downfall, is one of those literary works to which people keep being drawn back, as if to a glinting green light. In 1926, just a year after publication, a George Cukor-directed stage version played Broadway.

  • 3 weeks ago | thestage.co.uk | Natasha Tripney

    OpinionThe cast of Negotiating Peace at Oslo International Theatre Festival. Photo: Atdhe MullaCultural interaction can combat prejudices and the demonisation of ‘the other’ by politicians, says Natasha TripneySupport The Stage by registering or subscribingTo continue reading this article you must be logged in. Register or login below to unlock 3 free articles every month. OR Or subscribe from just £7.99 and get unlimited access to thestage.co.uk. Remember Login

  • 1 month ago | thebookseller.com | Natasha Tripney

    Malorie Blackman is one of the most successful young adult authors in the business. Her Noughts and Crosses series, set in an alternative 21st-century Britain, is particularly popular; the 2006 paperback of the first book in the series has sold more than 3 million copies. The series – a reworking of Shakespeare’s Romeo and Juliet, set in a society where the Crosses, the dark-skinned majority, oppress the lighter skinned Noughts – has understandably proved popular with theatre companies.

  • 1 month ago | thestage.co.uk | Natasha Tripney

    FeaturesMaria Aberg, artistic director of Projekt Europa, tells Natasha Tripney about how The Stage award-winning company was born from the closures of the pandemic and the vital work it does with migrant artists “I never used to think about myself as a migrant artist,” says Maria Aberg. Born and raised in the south of Sweden, Aberg is the founder and artistic director of international theatre company Projekt Europa, winner of The Stage’s international award for its work with migrant artists.

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Natasha Tripney
Natasha Tripney @NatashaTripney
2 Apr 25

RT @AlmeidaTheatre: “Ionesco's interested in two things that interest me a lot, which are language and the conventions of theatre” Directo…

Natasha Tripney
Natasha Tripney @NatashaTripney
7 Mar 25

RT @TheStage: Trump’s attacks on culture are taken straight from the Orbán playbook, writes @NatashaTripney 👇 https://t.co/gn8U9kdITz

Natasha Tripney
Natasha Tripney @NatashaTripney
29 Jan 25

RT @TheStage: Is Berlin being extinguished as a beacon for culture? As the impacts of its €130 million arts cuts begin to be felt, @Natasha…