Nathalie Dassa's profile photo

Nathalie Dassa

Paris

Founder and Editor-in-Chief at CineChronicle

Freelance Journalist at Blind Magazine

Articles

  • 1 week ago | blind-magazine.com | Nathalie Dassa

    « Si l’art est indéniablement subjectif, la photographie offre un lien direct avec l’âme. Pas d’intermédiaire, pas d’interférence. Ce que vous voyez est ce que vous obtenez… » C’est avec ces mots dans l’introduction de Life’s Fragile Moments(teNeues Verlag, 2024) que Julian Lennon résume sans doute le mieux son amour pour le médium.

  • 1 week ago | blind-magazine.com | Nathalie Dassa

    “While art is undeniably subjective, photography offers a direct connection to the soul. No intermediary, no interference. What you see is what you get…” These are the words in the introduction to Life’s Fragile Moments(teNeues Verlag, 2024) that Julian Lennon perhaps best sums up his love for the medium.

  • 1 month ago | blind-magazine.com | Nathalie Dassa

    In just over 20 years, Yorgos Lanthimos has established himself as a whimsical and radical filmmaker exploring the human condition. With 10 feature films to his credit, his cinema has skillfully combined the absurd, romance, dystopian fable, social satire, tragicomic vice, intimate drama, surreal phantasmagoria… A reflective cocktail sprinkled with acerbic humor.

  • 1 month ago | blind-magazine.com | Nathalie Dassa

    En 1985 sortait In the American West. Quarante ans plus tard, le magnum opus de Richard Avedon (1923-2004) n’a rien perdu de sa force. Bien au contraire. Cette série ne cesse de dévoiler ce qu’elle ne montrait pas encore lors de sa toute première exposition, dont les retours critiques furent mitigés. Aujourd’hui, la Fondation Cartier-Bresson, avec la collaboration de la Richard Avedon Foundation et l’éditeur Harry N.

  • 1 month ago | blind-magazine.com | Nathalie Dassa

    In 1985, In the American West was released.Forty years later, Richard Avedon’s giant opushas lost none of its power. Quite the opposite. This series continues to reveal what it did not yet show at its very first exhibition, which received mixed critical reviews. Today, the Fondation Cartier-Bresson, in collaboration with the Richard Avedon Foundation and publisher Harry N. Adams, is bringing to light all the images from this long-out-of-print book, which is steeped in the history of photography.

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