
Nathalie Dassa
Founder and Editor-in-Chief at CineChronicle
Freelance Journalist at Blind Magazine
Articles
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3 days ago |
blind-magazine.com | Nathalie Dassa
En 1985 sortait In the American West. Quarante ans plus tard, le magnum opus de Richard Avedon (1923-2004) n’a rien perdu de sa force. Bien au contraire. Cette série ne cesse de dévoiler ce qu’elle ne montrait pas encore lors de sa toute première exposition, dont les retours critiques furent mitigés. Aujourd’hui, la Fondation Cartier-Bresson, avec la collaboration de la Richard Avedon Foundation et l’éditeur Harry N.
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3 days ago |
blind-magazine.com | Nathalie Dassa
In 1985, In the American West was released.Forty years later, Richard Avedon’s giant opushas lost none of its power. Quite the opposite. This series continues to reveal what it did not yet show at its very first exhibition, which received mixed critical reviews. Today, the Fondation Cartier-Bresson, in collaboration with the Richard Avedon Foundation and publisher Harry N. Adams, is bringing to light all the images from this long-out-of-print book, which is steeped in the history of photography.
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2 weeks ago |
blind-magazine.com | Nathalie Dassa
Walker Evans, Dorothea Lange, Edward Weston, Robert Frank, Lee Friedlander, Esther Bubley, Emil Otto Hoppé… Les pionniers de la photographie s’invitent dans la nouvelle exposition du Saint Louis Art Museum (SLAM), sis au cœur de cette deuxième plus grande ville de l’État du Missouri. Le curateur Eric Lutz, conservateur associé des estampes, dessins et photographies de l’institution américaine, nous plonge ici dans l’esprit de la route, symbole intemporel de la culture américaine.
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2 weeks ago |
blind-magazine.com | Nathalie Dassa
Walker Evans, Dorothea Lange, Edward Weston, Robert Frank, Lee Friedlander, Esther Bubley, Emil Otto Hoppé… The pioneers of photography feature in the new exhibition at the Saint Louis Art Museum (SLAM), located in the heart of the second-largest city in the state of Missouri. Curator Eric Lutz, associate curator of prints, drawings, and photographs at the American institution, immerses us in the spirit of the road, a timeless symbol of American culture.
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1 month ago |
blind-magazine.com | Nathalie Dassa
“Native people instinctively know whether you love them or look down on them.
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